Songs You May Have Missed #730

Modest Midget: “Troubles in Heaven” (2010)

From the Dutch progressive/pop fusion band Modest Midget’s 2010 debut, The Great Prophecy of a Small Man.

“Troubles in Heaven” is mostly built around a single infectious motif, but with enough key modulations to keep it fresh and enough stylistic pivots to make you wish you could have a look at songwriter/vocalist Lionel Ziblet’s record collection.

The instrumental break is a swerving musical rollercoaster ride: Zappa-esque for a moment…timpani fills…then country fiddle. Then synth. Then a bit of straight-ahead rock and roll guitar. Then a second, middle eastern-sounding breakdown–klezmer music? (Ziblet grew up in Israel).

I guarantee you’ve heard nothing like it.

Decide for yourself if it’s Gentle Giant or XTC or something else this band brings to mind over the course of a frolicsome 3-minute ride.

Modest Midget is a little eccentric, a little schizophrenic, and a lot of fun.

Video of the Week: This is probably THE most naturally talented 17 year old you’ll EVER see!

On a Lighter Note…

Songs You May Have Missed #729

Pacha Massive: “Don’t Let Go” (2006)

The Bronx duo of Dominican-born Nova (on keys and guitar) and Columbian-born Maya (on vocals and bass) stir up a melting pot of musical flavors on their 2006 debut.

Their music is equally at home on a dancefloor, in a laid-back lounge, wafting across your living room or pulsing from your car.

Video of the Week: Molly Lewis, the Whistler

Video of the Week: Johnny Cash – A Boy Named Sue (Live at San Quentin, 1969)

Well, this is a bit of a turn-up. I didn’t think video existed of Johnny’s San Quentin performance, but here he is performing Shel Silverstein’s “A Boy Named Sue”, which became Cash’s biggest-ever chart single at #2 in 1969.

The song is obviously still new to Cash (he reads the lyrics as he sings) and a little under-rehearsed. He’s not always in sync with the band, but the performance–flubs and all–was released despite.

The days of the little mistakes making their way onto the album–even the hit single–are pretty much over. When people say artists like Cash and Dylan made “real” music, that included real mistakes.

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