I defy you not to love this treasure of a man, who displays fair comedic chops in addition to being the greatest pop songwriter of a generation. Some guys do indeed have it all.
Art is the music we make from the bewildered cry of being alive. ~Maria Popova
05 Jan 2020 Leave a comment
in Video of the Week Tags: paul mccartney, stephen colbert
I defy you not to love this treasure of a man, who displays fair comedic chops in addition to being the greatest pop songwriter of a generation. Some guys do indeed have it all.
31 Dec 2019 Leave a comment
in General Posts Tags: beatles, paul mccartney, something
(via (Quora) Answered by Jake Gerber, Musical Session Player
Put more succinctly : his playing is friggin BRILLIANT !!! I wish I was getting paid for this answer. In any event … I’ll commence with this. Anyone that doesn’t believe Paul put everything he had into Georges songs is mistaken. Paul took great pride in respect to everything he played. He upped the ante on three of George’s songs I can think of, two of which are on Abbey Road, the third on Revolver…
Paul’s playing on “ Something “ could be studied in a music theory class in university level. The first time you hear the song played through a proper playback system ( vinyl ) where you can actually hear the bass, you might think Paul was overplaying, there’s a lot of movement going on, and the songs a ballad which in popular music are rather restrained in respect to the bass lines, if indeed it even actually has a dedicated bass line per se…
29 Dec 2019 Leave a comment
in General Posts Tags: relaxing music
(via fast company) By Melanie Curtin
Everyone knows they need to manage their stress. When things get difficult at work, school, or in your personal life, you can use as many tips, tricks, and techniques as you can get to calm your nerves.
So, here’s a science-backed one: make a playlist of the 10 songs found to be the most relaxing on earth…
Read more: https://www.fastcompany.com/90274251/song-reduces-anxiety-neuroscience
29 Dec 2019 Leave a comment
in Video of the Week Tags: marble machine, wintergatan
29 Dec 2019 Leave a comment
in General Posts Tags: digital music, the future of music

(via Roots Music Canada) by Ian Tamblyn
Today’s column from veteran Canadian singer-songwriter Ian Tamblyn is adapted from a speech he gave at a symposium at Trent University. It’s a long read, but we decided to post it here all at once it its entirety because, well, it’s just that good.
I would like to begin this talk on the future of “popular” music with a few cautionary notes about our ability to see into the future clearly. The fact is, it would appear we are not very good at it. Somewhere back in our Savannah DNA, we got very good at reacting to danger when it presented itself — say a lion or tiger. However, it seems we are less capable of looking ahead to avoid danger. In other words, we are a reactive rather than proactive animal. The contemporary analogy in relation to climate change is that we are similar to the frog in a pot of hot water who does not have the sensors to recognize the increasing temperature and the fact that he should get out of the boiling pot.
Yes, there have been a handful of futurists – H.G Wells, Aldous Huxley, and given the state of many current governments I would grudgingly include Ayn Rand. Probably the most successful futurists in our lifetime may have been Marshall McLuhan and Stanley Kubrick, but even so, all of these writers and film makers have been only partially successful gazing into the crystal ball. Given that the past is no more fixed than the future I begin this conversation with you.
What I hope to discuss in this time with you is the relationship between technology, the gift of music and the commodification of that gift and how that gift and the commodification of the gift has been eroded in the digital age, and as I see it, could continue to be eroded well into the 21st century…