Quora: Why do people criticize Paul McCartney for writing the lyric “the movement you need is on your shoulder”?

(via Quora) Answered by Alex Johnston, Guitar & bass, BA Hons in music theory, tech and musicology

I’ll tell you why I do. And it’s a symptom of something which, for me, blemishes a good deal of the Beatles’ later work.

In general, I am very fond of ‘Hey Jude’ and consider it one of the best songs that McCartney ever wrote. I think that the cunning rhyme scheme really works, and the pleasingly laconic but warm-hearted lyric is one of the best the band ever had. And don’t even get me started on the music. It’s a lovely song.

However, when McCartney first played the song to Lennon, he hadn’t yet finished it.

The song has two bridge/middle eight sections, whatever you want to call them, which serve as a kind of alternative verse. The first one goes like this:

And anytime you feel the pain
Hey Jude, refrain
Don’t carry the world upon your shoulders
For well you know that it’s a fool
Who plays it cool
By making his world a little colder…

Read more: https://www.quora.com/Why-do-people-criticize-Paul-McCartney-for-writing-the-lyric-the-movement-you-need-is-on-your-shoulder

On Music…

Songs You May Have Missed #644

Ghost: “Square Hammer” (2016)

Are you one of those who opine that rock is dead, and the visceral thrill of the genre has faded with the hair on the head of your favorite Rock Hall-enshrined dinosaurs?

Maybe you just need to look a little more earnestly.

Although this certainly isn’t 1975 and the pop landscape isn’t crowded with acts like Queen, Led Zeppelin and Grand Funk, there is still music being created that can make the hair stand up on your arms.

For example, that of Sweden’s masked melodic metallers Ghost.

Though their occult music videos may go further than fans of Alice Cooper and Blue Oyster Cult may be comfortable with, Ghost’s brand of macabre, melodic rock may strike the right note. From the insistent organ riff to the two-beat timpani accent accompanying the verse’s lyric to a harmony-stacked chorus you may have stuck in your head for days, the hooks abound on “Square Hammer”.

See also: https://edcyphers.com/2021/08/14/songs-you-may-have-missed-708/

See also: https://edcyphers.com/2025/12/24/songs-you-may-have-missed-809/

PHOTO COPYRIGHT JOHN McMURTRIE 2015

On a Lighter Note…

 

Songs You May Have Missed #643

Radio Free Universe: “She’s High Again” (2019)

It remains to be seen (or heard) whether Radio Free Universe will have the staying power or make a similar impact in America as the classic rock bands their reviewers name check.

But in the bass-driven, melodic “She’s High Again” the Canadian rockers have crafted a single that deserves some southern exposure.

The Coming Death of Just About Every Rock Legend

(via The Week) by Damon Linker August 31, 2019

Rock music isn’t dead, but it’s barely hanging on.

This is true in at least two senses.

Though popular music sales in general have plummeted since their peak around the turn of the millennium, certain genres continue to generate commercial excitement: pop, rap, hip-hop, country. But rock — amplified and often distorted electric guitars, bass, drums, melodic if frequently abrasive lead vocals, with songs usually penned exclusively by the members of the band — barely registers on the charts. There are still important rock musicians making music in a range of styles — Canada’s Big Wreck excels at sophisticated progressive hard rock, for example, while the more subdued American band Dawes artfully expands on the soulful songwriting that thrived in California during the 1970s. But these groups often toil in relative obscurity, selling a few thousand records at a time, performing to modest-sized crowds in clubs and theaters…

Read more: https://theweek.com/articles/861750/coming-death-just-about-every-rock-legend

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