Songs You May Have Missed #837

Herman’s Hermits: “Sleepy Joe” (1968)

I’ve been meaning to tell you about a very special song. It’s very old, very obscure, and very English. It was cherished by my dad and, three generations later, a favorite of my granddaughter.

When I was about four years old, my dad’s 45 collection contained my two favorite songs. Unfortunately, my small but growing assortment of singles and LP’s did not.

Christmas day, with a new 45 record case from Santa

My dad, who preferred putting a stack of albums on the turntable (yeah, I know–but everybody did it back then) did not regularly want to break out the 45’s, which obviously required more frequent attention.

So I nagged him with regularity to hear the Cowsills’ “Indian Lake” and Herman’s Hermits’ “Sleepy Joe”.

And once in a while he relented and busted out the little records with the big holes.

“Sleepy Joe” is just the type of song that was about to go out of style in ’68, and perhaps had already done so in the US.

Despite reaching #4 in New Zealand, #9 in Canada and Ireland, #10 in Norway, #12 in the UK, #17 in Sweden et cetera, the song only peaked at #61 in the US, and was the last of the band’s songs to even reach the top 100 here.

So in June of 2023 when I took my musically eclectic, oldies-informed 5-year-old granddaughter to see Peter Noone and (a version of) Herman’s Hermits, I let her know up front we’d probably not hear “Sleepy Joe”. She was not pleased. She loved the song as much as I had at her age.

Peter Noone sang all the other hits of course, and even gave us unexpected cover versions of songs like “Daydream Believer”, which was one of our favorite car trip sing-alongs.

It was a terrific show and my granddaughter’s joy as she sang along, her face lit up at seeing a live performance by the guy she’d only seen in YouTube videos, was exceeded only by my own.

Peter Noone is the consummate entertainer, and always recognizes his younger fans at his shows. And he actually paused his performance to give a certain starstruck young fan an autographed t-shirt and CD:

Then at a post-concert meet and greet in the lobby, of course my granddaughter wanted to join the line.

Despite it being well past her bedtime with a long drive home ahead, she insisted on speaking with her musical hero. She had a question for the gregarious Hermit.

“Why no ‘Sleepy Joe’?”, she asked.

Peter gave the response I expected, which is to say he didn’t believe many people in America knew that song.

But learning it was a favorite of hers, he offered to sing an impromptu a cappella verse of the song for her there in the lobby while a line of fans watched, not seeming to mind a bit.

Amazing. Unforgettable.

There are lots of reasons why Peter Noone still has a large, loyal following 60 years after his group’s songs were hits–why he still headlines shows rather than simply being part of a nostalgia package tour with four other acts.

I’d submit one reason is that Herman’s Hermits had a lot more hits than most realize. And Noone’s shows bring back one feel-good memory after another.

It’s the wide-eyed innocence of songs like “I’m Into Something Good”, “Can’t You Hear My Heartbeat” and “There’s a Kind of Hush”. It’s the cheeky British charm of “I’m Henry the VIII, I Am” and the Mancunian “Mrs. Brown You’ve Got a Lovely Daughter”.

And the pathos of a ballad like “No Milk Today”, written by Graham Gouldman, with arrangement by John Paul Jones–a minor pop masterpiece.

But as much as anything, the concert venues still fill for Peter Noone because he knows how to make his fans–especially the youngest ones–feel special.

Whether it’s a 5-year-old in 1969 or a 5-year-old in 2023.

See also: Songs You May Have Missed #728 | Every Moment Has A Song

Songs You May Have Missed #836

Pictures and Sound: “Every War” (2008)

From 2008 but this Luke Reynolds tune, with Willie guesting, literally could have been written yesterday. Or tomorrow.

See also: Songs You May Have Missed #145 | Every Moment Has A Song

See also: Songs You May Have Missed #12 | Every Moment Has A Song

Songs You May Have Missed #835

Maddy Prior: “Salisbury Plain” (2003)

Maddy Prior, revered and decorated lead lady of stalwart folk rock icons Steeleye Span, has compiled an impressive legacy as a solo artist as well.

Having previously explored Arthurian history, myth and legend with her 2001 Arthur the King LP, in 2003 Prior offered up Lionhearts, a song cycle set in the time of Richard I and Eleanor of Aquitaine.

“Salisbury Plain” is just the kind of tale she’s regaled fans of Britfolk with since 1969 or so.

In Prior’s words, it’s “a timeless story of a young man who believes he has to have money to keep his young lady happy”.

Troy Donockley’s low whistle adds an appropriate accent of mournful melancholy.

The Lord have mercy on his poor soul/For I think I hear the death bell toll

See also: Songs You May Have Missed #785 | Every Moment Has A Song

See also: Songs You May Have Missed #718 | Every Moment Has A Song

See also: Songs You May Have Missed #200 | Every Moment Has A Song

See also: Recommended Albums #47 | Every Moment Has A Song

Did You Ever Realize…

Songs You May Have Missed #834

Rosalia: “La Perla” (2025)

Spanish singer Rosalía’s momentous fourth album Lux is a trove of bold sounds and bold themes, with lyrics in 14 languages.

“La Perla” (“The Pearl”), featuring a collaboration with Mexican trio Yahritza y su Esencia, was a chart-topping single in Spain.

The song is presumed to be about the singer’s ex-fiancé Rauw Alejandro. Its title refers to a historic neighborhood of old San Juan, Puerto Rico, but also is a term used derisively to mock a sexually promiscuous person.

Classy instrumentation. Blunt message. Weren’t we just expressing out admiration for Lily Allen for a bold, confessional breakup record?

Thank God for men who suck at relationships and the women who keep making great art from it.

Lyric translation:

Hello, thief of peace
minefield
for my sensitivity
Playboy
a champion
spends the money he has and also the money he doesn’t

He’s so charming
star of unreason
a mirage
Olympic gold medal to the bastard
you have the podium
of great disappointment
Local disappointment national

heartbreaker an emotional
terrorist the world’s biggest disaster

It’s a pearl,
no one trusts
it, it’s a pearl

one of great care

The king of the 13, 14
does not know what it is to contribute
he is the center of the world
and then what else will matter?

You finally go to therapy
you go to the psychologist and also a psychiatrist,
but what good is
it if you always lie more than you talk,
they will make you a monument
to dishonesty.

I don’t feel sorry for
you who stays with you drains
himself always invites
himself if he can lives in someone else’s house
Red flag walking
tremendous disaster
he will say that it was not him
who was his doppelgänger

Well, of course
not referring to him as an icon
would be a reductionist narrative for him, you know what I mean?
Never lend him anything, he won’t return
it Being a loose
cannon It’s
his specialty

Loyalty
and fidelity
is a language
that will
never understand

His masterpiece
his collection of bras
if you ask him for help
will disappear

Local Disappointment: National
Heartbreaker: An Emotional
Terrorist, The World’s Greatest Disaster

It’s a pearl,
no one trusts
it, it’s a pearl,
one of great care

Songs You May Have Missed #833

Richard Thompson: “Alexander Graham Bell” (Live) (2006)

Richard Thompson is known as a superb songwriter and a dazzling musician. But his secret weapon–his wry wit–is known mainly by those fortunate enough to have seen him live.

His between-song banter is dry, gently mocking–and intelligent. Basically, the polar opposite of Paul Stanley.

When asked by his child’s teacher to come into school and play some Egyptian songs “which is not as easy as it sounds”, he gave them “My Daddy is a Mummy”:

“Stylistically I place this somewhere between the two Memphis'”, he says, and…well damn if it isn’t an accurate description.

“Alexander Graham Bell”, stylistically closer to guitar jazz, is equally fun and actually quite enlightening.

Neither song is the type to be found on one of his studio albums, which are more serious-minded affairs.

It’s too bad this side of Thompson is relegated to concert performance and the “rarities” disc of a box set.

See also: Songs You May Have Missed #307 | Every Moment Has A Song

See also: Songs You May Have Missed #187 | Every Moment Has A Song

See also: Recommended Albums #21 | Every Moment Has A Song

See also: Songs You May Have Missed #489 | Every Moment Has A Song

See also: Songs You May Have Missed #355 | Every Moment Has A Song

Previous Older Entries Next Newer Entries