Songs You May Have Missed #545

mika

Mika: “All She Wants” (2015)

Mika has clearly assimilated the work of the masters when it comes to crafting unapologetically infectious pop music. Here he displays ABBA-esque aptitude for stitching a rather sad lyric into a tapestry of bright, bouncy handclap-punctuated and harmony-drenched ear candy.

You may have trouble getting this one out of your head. In a good way.

See also: https://edcyphers.com/2017/02/24/songs-you-may-have-missed-611/

Songs You May Have Missed #544

keren

Keren Ann: “Not Going Anywhere” (2003)

Though it’s easy to discern something in Keren Ann’s delivery to identify her as a non-American, it’s more difficult to pin down just where in the world the singer hails from.

Perhaps it’s because her father is Russian-Israeli, her mother is Japanese-Dutch, while she herself was raised in Paris and speaks French as a first language.

Songs You May Have Missed #543

eric

Eric Hutchinson: “Forget About Joni” (2014)

Eric Hutchinson is irresistibly attracted to a girl who finds him totally resistible, and he weaves the tale of his frustrated infatuation around the type of melody that hooks you on first listen. Fun stuff.

See also: https://edcyphers.com/2013/07/06/songs-you-may-have-missed-441/

15 Beautiful Women Who Inspired Classic Love Songs

suzanne george

Romantic muses in the age of rock and roll

(via Purple Clover)

by John Birmingham

“Crazy Love,” Van Morrison

THE MUSE: Janet “Planet” Rigsbee

THE BACKSTORY: Their first meeting, she said, was “alchemical whammo.” Rigsbee inspired not just “Crazy Love” (“I can hear her heartbeat for a thousand miles”) but also “Tupelo Honey” (that’s her on the album cover). The couple split in 1973.

UPDATE: Morrison’s ex is a songwriter living in California. Their daughter Shana, born just after the release of “Moondance,” has recorded five albums of her own and often shares the stage with her father.

__________________________

“And I Love Her,” The Beatles

THE MUSE: Jane Asher

THE BACKSTORY: McCartney, who wrote “And I Love Her” in 1964, called it “the first ballad I impressed myself with.” By 1967 he and the English actress were engaged, but a year later they went separate ways.

UPDATE: Long married to illustrator Gerald Scarfe, Asher has become an entrepreneur. Last year she redesigned her London shop, Jane Asher Party Cakes…

Read more: http://www.purpleclover.com/entertainment/3218-15-beautiful-women-who-inspired-classic-love-songs/

jenny

Video of the Week: 7-Year-Old Drummer Avery Molek–“Tom Sawyer”

On Prog Rock

prog 3   prog 2

by Jose Luis Carballo

prog 1

As a Prog-rock kid in the early and mid-70’s, I got used to this kind of abuse. Rolling Stone, Cream and all the other big rock journalists at the time hated Prog rock that includes Yes, Genesis, ELP, King Crimson and all other practitioners. The complaints were the same: It ain’t rock&roll. Well, duh. Of course not. For starters, Prog has no sexual energy. It doesn’t build a “groove.” It doesn’t funk, it doesn’t make you wanna dance. It’s not the music of rebellion, the music of throwing out the old masters and starting from zero.

prog 4

Prog had no “zeitgeist.” It wasn’t imbued with the spirit of it’s day. Prog was not the music of abandon. It’s rather cerebral. Prog is intricate, sculpted, fussy and frilly and a bit in love with itself. The composers of Selling England By The Pound, Close To the Edge, and Brain Salad Surgery knew that decades later, we’d still be discovering new melodies hidden in each Opus (they were right, we are). They knew they were writing music closer in spirit to Vivaldi than Bob Dylan, and they were OK with that.

Prog is the music created by the best musicians of their day (the early to late 1970’s), and the fact that you could name all worthwhile Prog bands on two hands – tells you how singular those players and composers were. Prog music lived in a kind of Alternate Universe, a bit disconnected with The Vietnam War and The Civil Rights Movement.

Prog is still a refuge for those of us who “get it”; we can carve out our own moment and still enjoy our brainy, pretentious music long after the 70’s had come and gone.

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