In an article titled 10 New Artists You Need to Know, Rolling Stone magazine describes their sound thusly: “A Balkan accordionist, a Burundi drummer, an American slide guitarist, and a British rock star walk into a bar. High-octane folk-pop ensues”.
The KONGOS sound is a distinctive mix of classic rock, African and Balkan elements, and it’s unlike anything you’ve heard before.
The fact that private sellers on Amazon.com price British singer-songwriter Shelly Poole’s out-of-print debut album at around $200 speaks to the injustice of its current lack of availability.
Poole, who was previously one half of sister duo Alisha’s Attic, hasn’t been heard from since this single solo release. But what a rare gem of genre-slipping pop it is. Falling between the cracks of chillwave, trip hop, R&B and introspective country-folk, the unforced vibe and appealing melodies remain the constant as steel guitar, flute, and electronic sounds sneak in and out of breezy, understated arrangements.
After a debut that Amazon.com rated as the third best rock album of 2010, the Orange County modern rock band fronted by full-voiced frontman Sameer Gadhia are back with the follow-up, Mind Over Matter. The title cut is a highlight, and contains a fish hook of a chorus that might ricochet around in your brain all day.
Irish-Italian David J. Caron released a double CD album, Thru Never Ending Black, in 2013–a move usually made by an artist with an established following. The unusual thing here is that the mammoth 28-track work is his debut. Caron wrote, performed and produced one of the best rock debut albums in recent years, a work that lives up to its own ambition with solid consistency over its abundant length.
Categorizing the music is more difficult than appreciating it. Caron seems to straddle the worlds of progressive rock (the genre suggested by the album’s cover, artwork and, at times, lyrics) modern rock and AOR. Caron’s work has echoes of 80’s neo-prog, but with a fresh, modern rock-informed sound. It really defies easy categorization.
But while it doesn’t fit neatly into a particular genre, any fan of modern melodic rock with intelligent, captivating lyrics and infectious choruses will find something appealing here–and a generous helping thereof.