Songs You May Have Missed #465

moon safari

Moon Safari: “Heartland” (2010)

From the band that currently have me held firmly in the clutches of heavy–no, damn near continuous–rotation. This particular song has the tightest grip of all.

Moon Safari represents an astounding juxtaposition of seemingly incompatible musical components: the surprise-around-every-corner complexity of prog rock alongside an almost boy-bandesque propensity for catchy pop hooks, and a five-part harmony vocal sound simply unmatched in their genre.

At its absolute best prog rock is a triumph of possibility over musical triteness and cliché. It stretches the envelope. But it doesn’t need to tear the seams–to sound so “original” that it challenges more than pleases.

And that’s what Moon Safari seem to understand: ultimately music–even relatively complex music–is meant to be enjoyed. Melodic and instrumental hooks abound here. But like the best prog, it’ll take you many repeated listens to assimilate the song entirely–to be able to sing every lyric on cue and hit every correct note of the solo on air guitar or synth.

And long before you do–assuming you have a musical sweet tooth for the sunny, uplifting sounds typical of Swedish prog–you’ll be blaring it from a car window or hitting the repeat button on your device to enjoy another rapturous six-minute fix.

Ornate, yet entirely accessible. A treat for fans of complex music, but a great bridge into the genre for fans of more mainstream bands (Styx come to mind). This might be the perfect prog song.

Open all of your windows, can’t you hear the boys are calling
Step outside for the night, y’know it’s summertime, they’ll all be there
And they’re playing memories on the radio
Got your back pretty one, I know that you’ve got mine

Oh my love, there is trouble in the heartland
You and me, as we walk the square of possibility
Caught up in a love that could not be

I remember she used to refer to you as sweet, sweet prince
Though she’s always known that you’re nothing but a working man’s son
Your ambition was always to high for one of us
Surely you would go on, oh baby, to do what we can’t dream

Oh my love, there is trouble in the heartland
One last dance, save your worries for another rainy day
You wouldn’t want it any other way
But darling it’s time to say our goodbyes to summer romance
By the fall, all will be gone and then we’ll walk our separate ways
We’ll let this night be our last big mistake

From the heroes of yesteryear
The only one, still left standing
Tuned in to life’s radio
A blue song from long ago

Oh my love, there is trouble in the heartland
You and me, as we walk the square of possibility
Caught up in a love that could not be

But darling can’t you see?
We’re still soldiers of the heartland,
even now I still see you like I did when I could dream
of a place where we’d be known as king & queen

See also: https://edcyphers.com/2013/08/04/recommended-albums-52/

See also: https://edcyphers.com/2025/08/31/songs-you-may-have-missed-789/

Video Tutorial: Donald Fagen Deconstructs Steely Dan Songs

Donald-Fagen-04

One of the creators of some of the most sophisticated rock of the 70’s (or any other decade) discusses Steely Dan songs “Chain Lightning”, “Peg” and “Josie” in this video tutorial.

Awesome Isolated Vocal Takes: Beatles, Queen, Beach Boys

beach boys

The Beatles: “Helter Skelter”

Queen: “Somebody to Love”

The Beach Boys: “God Only Knows”

The Beach Boys: “Wouldn’t it be Nice”

Video of the Week: Christina Bianco Sings “Total Eclipse of the Heart” in the Voices of the Great Divas

Recommended Albums #53

fairport

Fairport Convention: Jewel in the Crown (1995)

A band perhaps known as much for notable alumni (Sandy Denny, Richard Thompson) as for their actual recorded legacy, Fairport Convention nevertheless are among the most prominent of the bands who helped preserve England’s traditional folk song and expose new generations to it by melding it with contemporary rock.

By 1995 Fairport were almost thirty years into a career rife with lineup changes and fluctuations in quality of musical output. But Jewel in the Crown is a jewel indeed–a highlight of their later output.

The samples below represent Fairport’s typical mix of new contemporary writing and more traditional-sounding pastoral English folk, from the political (the smackdown of British colonization in the title track) to the traditional (“Kind Fortune”), to the newly-written tune that sounds like a traditional (“London Danny”) to the instrumental (the beautifully-rendered Ric Sanders fiddle tune, “Summer in December”).

It makes for a great introduction to the band, not to mention the genre. If it whets an appetite for British folk, you could do worse than to check out Steeleye Span’s All Around My Hat next.

Listen to: “Jewel in the Crown”

Listen to: “Kind Fortune”

Listen to: “London Danny”

Listen to: “Summer in December”

See also: https://edcyphers.com/2016/02/19/songs-you-may-have-missed-572/

Flashback: Elton John Sings ‘Your Song’ Across the Decades

(Source: Rolling Stone)

by Andy Greene

Elton John has more famous songs than just about any other man on the planet, but somehow his very first hit, “Your Song,” has proved to be his most enduring composition.  The song exploded onto radio in 1970 and really hasn’t left. “I wrote it when I was 17, hence the extraordinary virginal sentiments,” Bernie Taupin said. “It’s a gem. It’s like a good dog, always there . . . I’ve heard it sung a million times.”

He’s exaggerating only slightly. Elton has performed “Your Song” at nearly every one of his concerts over the past 43 years. It’s often the final encore, though he opens many of his solo acoustic shows with it. Setlist.FM says he’s played it 1,861 times, but the real number is surely well over 2,000. Assuming it’s only 2,000 times, that means he’s spent five and a half days of his life singing “Your Song.”

Here’s an incredible video montage of Elton performing the song from 1970 through the late 1990s. It’s great fun to watch his hair begin to thin, get covered up by hats, go gray, and then magically come back fuller and browner than ever. The costumes become more and more elaborate, until they disappear completely in the Nineties. His voice also deepens, particular after major throat problems in 1986, but he never half-asses the performance.

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