The Wailin’ Jennys are a harmonizing female folk trio from Canada whose format invites comparison to The Dixie Chicks, but the comparison falters. First, it must be said the Jennys don’t possess the vocal strength of the Chicks. As for their sound, it’s less country hoedown and more coffeehouse folk. And they’re far more likely to cover a centuries-old English traditional ballad than a Fleetwood Mac tune.
All three women are songwriters, and their strength is in writing honest, reflective songs, rendered with pretty harmonies.
The making of the Permalight album was, for Zach Rogue, a story of his own personal triumph over physical infirmity. Quoting from Amazon.com’s editorial review:
In September 2008, after the band returned to Oakland following a summer tour, Rogue played a solo show opening for Nada Surf. Two days later, the singer woke up and couldn’t move. There was some concern that he might be having an aneurysm or heart attack, so doctors wheeled an X-ray machine into his living room to check his heart and lungs. It turns out Rogue had slipped two discs in his neck, which were pressing on his spinal cord.
“It was the worst pain I had experienced,” he says.
Over the next few months, his condition grew worse until he eventually lost feeling in his right hand. Confined to his bed, there was nothing doctors could do for him, no medications that could relieve his pain. “I just felt like I was being tortured,” Rogue says. “I felt like I was dying.” In January, the pain began to gradually lift, giving him just enough sensation to pick up the guitar and strum it. He celebrated the recovery the best way he knew, by pouring his relief into new material. “When I started writing I wanted to make a record that was a little more up, a record you could move your body to because I couldn’t move for so long,” Rogue says. “I told Pat I wanted to make a total dance album.”
It’s also a joyful and uplifting one, full of cheerful tunes like “Good Morning (The Future)”.
Born in Honolulu, Mason Jennings moved to Pittsburgh with his family a short time later. Soon after that Minneapolis became his home. He wrote songs and made demo tapes, but eschewed record label offers in favor of self-releasing his first record in order to keep creative control. That first record, featuring only Jennings and his guitar, was recorded and re-recorded four times before he was satisfied enough to release it. Although his debut brought more interest from labels and led to a local performance residency, he remained an independent artist for several years.
“Be Here Now” is from his sixth album, Boneclouds, for which he finally moved to a major label (Epic). Although the arrangements are more filled out than on previous records, for the most part it represents a smooth transition from his earlier, more organic and stripped-down sound to one more suited for radio airplay–at least independent radio airplay.