Recommended Albums #95

Jeremy Messersmith: The Reluctant Graveyard (2010)

Minneapolis-based indie-popper Jeremy Messersmith trades in understated, intelligent songs often sung from some sort of outsider/underdog perspective.

Named one of NPR’s top ten albums of 2010, The Reluctant Graveyard is populated with ghouls, monsters, and even a rather pushy “deathbed salesman”.

Messersmith makes surprisingly effective relationship metaphors of these creepy characters on a dark, mostly melancholy-sounding record that evokes some of the Decemberists’ early work.

But lest you think Messersmith and Graveyard are monotonously morose, “Knots” breaks the dour mood with the kind of sprightly pop this guy can pull off every bit as effectively.

Still, the overall vibe is very Tim Burton. If you have a fondness for spooky songs with haunting melodies, you’ll be digging The Reluctant Graveyard

Also the video for “Organ Donor” is rather uh, humerus.

Don’t Miss: “Organ Donor”

Listen to: “Knots”

Listen to: “John the Determinist”

Listen to: “A Girl, a Boy, and a Graveyard”

Listen to: “Deathbed Salesman”

See also: https://edcyphers.com/2018/06/08/songs-you-may-have-missed-628/

Randy Bachman and Burton Cummings Planning 2026 Guess Who Reunion Tour

Donald Weber, Getty Images© Ultimate Classic Rock

(via Ultimate Classic Rock) by Bryan Rolli
 

Randy Bachman and Burton Cummings — founding guitarist and classic-era singer of the Guess Who, respectively — have been in talks about a Guess Who reunion tour in 2026.

“[Burton is] finishing up his stuff this year, I’m finishing up my BTO stuff,” Bachman told American Songwriter. “And we have a plan for 2026 to be the Guess Who, where … we do a set list of about 30 hit songs, and it’s probably gonna be a two- or three-hour Springsteen kind of marathonic show. And we’re all geared to do that in 2026. It’ll be the unveiling of ‘The Guess Who are back.’”

Bachman already has a lot on his plate, as he will embark on an extensive North American tour with the newly revived Bachman-Turner Overdrive from April through August. He’s also promised the band’s first new album in more than 40 years. Cummings, meanwhile, released A Few Good Moments in 2024, marking his first album in 12 years. He has a handful of solo tour dates scheduled through August.

News of a prospective Guess Who reunion tour also arrives after an intense legal battle in which Bachman and Cummings fought to prevent a different version of the band from touring under the name.

Read more: https://www.msn.com/en-us/music/news/randy-bachman-and-burton-cummings-planning-2026-guess-who-reunion-tour/ar-AA1BIYHl?ocid=msedgntp&pc=LCTS&cvid=0dd3a87b40364d2c97da54f72b39bf25&ei=11#

Songs You May Have Missed #771

Band of Horses: “In Need of Repair” (2022)

From their sixth LP, arriving six years after their previous.

Things are Great strips back the band’s sound a bit, and sounds more like the Sub Pop records that made them indie pop darlings than their lusher-sounding more recent major-label work.

Rolling Stone

See also: https://edcyphers.com/2013/02/07/songs-you-may-have-missed-322/

See also: https://edcyphers.com/2012/06/24/songs-you-may-have-missed-135/

Video of the Week: The Truth About Eddie Van Halen’s Beat It Guitar Solo

“Why don’t you just play it the same way each time?” Paul McCartney asked Brian Ray why he performed a Beatles song like this. Here’s what he said

(via Guitar Player) by Joe Bosso

When Brian Ray joined Paul McCartney’s band in 2002, he was tasked with learning more than 40 songs — in one week.

“Fortunately, I listened to the Beatles nonstop throughout my life, so I already knew most of them,” he says. “Of course, it’s much different when you’re playing in a band that, oh yeah, is led by Paul McCartney himself. Needless to say, I immersed myself in the material.”

But Ray quickly discovered that there’s a difference between how the Beatles recorded the songs and how they need to be played onstage,

“It’s one thing to listen to these songs and appreciate them as a fan, as we’ve all done,” he says. “But when you start digging into them and analyzing them, you’re just astounded by the creativity and depth. Even stuff that sounds simple isn’t simple at all. I’m constantly amazed at the brilliance in these songs, and that feeling grows stronger all the time.”

Given his rarified position, Ray has some unique insights for guitar (and bass) players looking to incorporate Fab Four material into their repertoire.

“It’s important to have respect for the Beatles’ records,” he says. “On the other hand, you don’t want to sound like karaoke. And if you’re like me and you grew up on these records, they’re part of your DNA. You’ve memorized every upstroke and downstroke…

Read more: https://www.msn.com/en-us/entertainment/news/why-don-t-you-just-play-it-the-same-way-each-time-paul-mccartney-asked-brian-ray-why-he-performed-a-beatles-song-like-this-here-s-what-he-said/ar-AA1rHLTw?ocid=entnewsntp&pc=DCTS&cvid=f1e24aea004e4470866f0bcbedc6f11d&ei=35

Video of the Week: The (Historically Inaccurate) Genesis of “Beth” by KISS

Previous Older Entries Next Newer Entries