Name the song:
If I could move I’d get my gun and put her in the ground
Answer: “Ruby, Don’t Take Your Love to Town”-Kenny Rogers and the First Edition
Songs You May Have Missed #219
09 Nov 2012 Leave a comment
Jimmy Beaumont and The Skyliners: “Where Have They Gone” (1974)
And that reminds me of another Pittsburgh hit, this one released in 1974 and hitting its national chart peak of #100 in March of 1975. In the ‘Burgh however it was in heavy rotation that year.
Jimmy Beaumont and The Skyliners of course were best-known for the Doo Wop classic “Since I Don’t Have You” from back in 1959. It’s been said that Beaumont had the greatest voice of any singer in the early era of Rock ‘n Roll.
He wasn’t going for the high notes on “Where Have They Gone”, but its wistful lyric is beautifully rendered, and it’s one of my absolute favorite songs of the 70’s.
Songs You May Have Missed #218
09 Nov 2012 Leave a comment
in Songs You May Have Missed Tags: cellarful of noise, donnie iris, mark avsec, samantha
Cellarful of Noise: “Samantha” (1988)
Here’s a nearly forgotten song that was quite a big local hit in Pittsburgh, though it only charted nationally at #69. It was written and sung by Mark Avsec, who was a member not only of Donnie Iris’ Cruisers but also of Wild Cherry (“Play That Funky Music”).
If this one sounds like a Donnie Iris song, there’s good reason: Avsec co-wrote all of Iris’ biggest hits, including “My Girl”, “Love Is Like a Rock” and “Ah! Leah!”. His other band, Cellarful of Noise, released two albums.
“Samantha” is in my opinion the second-best pop song about an abortion, number one being ELO’s “Livin’ Thing”. (I’d rank Ben Folds’ “Brick” third, ’cause I have to–it’s the only other one I know.)
See also: https://edcyphers.com/2020/03/14/songs-you-may-have-missed-656/
Songs You May Have Missed #217
09 Nov 2012 Leave a comment
in Songs You May Have Missed Tags: muse, undisclosed desires
Muse: “Undisclosed Desires” (2009)
Weird band, Muse. Sometimes they sound like they grew up listening to ELO. Sometimes they sound exactly like U2. They definitely seem to merge a bunch of influences and don’t seem to try to hide them.
Prog websites and publications claim them for prog, but I don’t hear that at all. Some consider them one of the great bands of this era. I’m not sure I hear that either. But each of their last few releases has had at least a couple of tracks that caught my attention–like this one.
See also: https://edcyphers.com/2020/01/11/songs-you-may-have-missed-645/
Songs You May Have Missed #216
09 Nov 2012 Leave a comment
in Songs You May Have Missed Tags: the house band, tom hark
The House Band: “Tom Hark” (1994)
Formed in Edinburgh in 1984, The House Band had a nice little run that lasted until 2001 and saw them tour Britain, Europe, Africa, Australia, New Zealand and the United States playing a diverse selection of British folk, Cajun, Celtic, and even jazz and reggae music.
“Tom Hark” is extracted from a longer medley (“Tom Hark/African Marketplace”) which, microcosmically, clashed styles together–in this case Irish and Mideastern sounds. I’ve extracted the Irish-sounding bit. It’s a song that stood out for me when I saw them live back in the 1990’s, and sent me to the merch table to buy their Another Setting album.
The Secret Genius Of Taylor Swift
09 Nov 2012 Leave a comment
in General Posts Tags: taylor swift
(Source: NPR)
Taylor Swift’s new album, Red, sold more 1.2 million copies in its first week — the highest first-week sales total for an album in over a decade. She did it partly by answering a surprisingly complicated question: What’s the best way to sell an album?
There are so many ways to release your music these days. You can sell it at Amazon, iTunes, Wal-Mart, and Starbucks. You can release it to streaming sites like Spotify. You can go on tour.
Each artist chooses a mix of tools from this toolbox. And choosing the right mix can help an artist make money — something that’s hard to do in an era when it’s so easy to get free music.
Taylor Swift picked expertly. As Paul Resnikoff, editor and founder of Digital Music News points out, she has chosen from the toolbox only the outlets that would give her the most money for every album sold: Outlets that pushed a full album purchase.
The first week her album came out, you could only get it in a few key places: i-tunes, Walgreens, Wal-Mart, Target. You could order a Papa Johns pizza and receive the CD — at the sticker price of around 14 bucks.
But the tools Swift didn’t use are as important than the ones she did. By refusing to release her singles on Spotify, or any other streaming site, she pushed her fans to buy the album. Spotify pays the artist pennies on the dollar. Taylor Swift skipped it.
“Taylor already has so many fans, that she doesn’t need to have that, like, incentive,” 16-year-old superfan Lindsey Feinstein says. “Like, ‘Oh, listen to this, and then you’ll buy it.’ She’s past that level.”
Streaming music is more like an advertisement for the artist. It’s a process of music discovery, not necessarily music fandom. You build brand loyalty to the artist through streaming. Taylor Swift does not have a problem with brand loyalty. As Lindsey says, she’s past that.
Every Moment Has A Song 