10 Accordion Songs That Rock

(via CultureSonar) BY JOHN SMISTAD

This conversation could’ve been between two 16-year-old boys:

Owen: “I’d like to join your rock band.”

Lance: “What do ya play?”

Owen: “Accordion.”

Lance: “No.”

Bummer for Owen.  However, young Lance has a lot to learn.  For the accordion does indeed rock. Here are a handful of examples.

“We Can Work It Out” (1965), The Beatles

Okay, so it’s technically a harmonium pump organ and not an accordion we hear in this #1 smash from 1965. “But how many of us took the fake?  Still another instance of The Beatles’ inclination to leave it to individual interpretation.

“God Only Knows” (1966), The Beach Boys

Can you imagine this touching expression of unwavering love without the sweet, yet somber, accordion?  God forbid.

“How Can I Be Sure” (1967), the Young Rascals

 The accordion, while decidedly whimsical in nature, more than pulls its weight in this tune about a guy who’s in love and in need of confidence reinforcement…

Read more: https://www.culturesonar.com/10-accordion-songs-that-rock/?mc_cid=c5abfbf43c&mc_eid=b43e532c6f

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Karen Carpenter’s Independence Slowly Vanished into a Haze

(via musicoholics) by Noam Heller

Karen Carpenter’s voice hits you like a ray of warm sun that can just as quickly disappear into a dusky cloud of melancholy. If that cloud happens to rain, her voice is also the velvety cloak to shelter you from the drops. In other words, by listening to Karen, you experience a surreal interlacing of dark and light.

This brilliant drummer and singer formed the musical duo Carpenters, along with her brother, Richard. They toured the world throughout the ’70s and sold over 90 million records during their 14-year career together. But sadly, Karen was struggling with persistent feelings of self-reproach and perfectionism that slowly (and literally) ate away at her. Here is the tragic story behind one of the greatest voices of all time.

Growing Up in Her Brother’s Shadow

Karen Carpenter was born on March 2, 1950, in New Haven, Connecticut. Her only sibling, Richard, was three years older and idolized by their parents, Agnes and Harold. Despite being close in age, the two siblings were worlds apart. Richard spent most of his time playing the piano in the privacy of his room, whereas Karen would be outside playing baseball and goofing around.

It was hard to miss how much her mother favored the young piano prodigy and how little affection she showed her only daughter. They even moved the whole family to California in 1963 to pursue Richard’s music career, which wasn’t a very appealing idea for a 13-year-old who had to leave her friends.

Read more: https://musicoholics.com/first-look/karen-carpenters-independence-slowly-vanished-into-a-haze/2.html?br_t=ed

Pink Floyd’s burning man: Aubrey Powell’s best photograph

(via The Guardian) by Joobin Bekhrad

Storm Thorgerson and I had created most of the artwork for Pink Floyd’s albums, including Dark Side of the Moon. One day we were asked to Abbey Road Studios to listen to tracks from the band’s new record. The lyrics were mostly about absence, and the album’s title, Wish You Were Here, was a reference to Syd Barrett, who had left the band some years earlier due to issues with LSD. They were also making a statement about record company executives who regarded musicians as money-making machines, demanding one hit song after another – an absence of a different kind.

We were talking late one night with our friend George Hardie, kicking around ideas. Storm said: “Have a Cigar [the album’s third track], is about insincerity in the music business. What about an image of two businessmen, and one of them is getting burned in a deal?” We all thought the image was a good idea, and I remember saying to Storm: “How are we going to do that?” He replied: “Set a man on fire.”

Read more: https://www.theguardian.com/artanddesign/2020/aug/12/burning-man-pink-floyd-wish-you-were-here-aubrey-powell-best-photograph

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