"There's a time in life for Hoagy Carmichael. There's a time in life for Claude Debussy. There's a time in life for Jerry Lee Lewis. There's a time in life for Destiny's Child. All these things have their moment." ~Elvis Costello
Glasgow, Scotland’s Alastair Ian Stewart (if all that’s not redundant) has been around as long as the Rolling Stones, whom he actually opened for in 1963, and has quietly built a career as one of the more singular singer-songwriters out there. Truly one artist whose influences are almost impossible to pin down, Stewart’s style forsook convention in many ways: songs with lengthy running times, using the f-word in a ballad, historical and seafaring themes, and a lyrical style rich with detailed imagery. His songs were almost word-paintings, often not built around a hook, but written as narratives that required a little patience of a listener.
“Merlin’s Time” which dates from the tail-end of Stewart’s run of U.S. chart success, finds him in atmospheric reverie of ancient England’s “kingdom lost to time”.