Video of the Week: Barry Gibb–The Last Bee Gee

Songs You May Have Missed #612


Bee Gees: “Morning of My Life (In the Morning)” (1971)

For such an obscure song, the Bee Gees’ “Morning of My Life” has quite a long history in the Gibb family. It was first recorded by the band in 1966 during sessions for their debut Spicks and Specks album. During the period when Robin Gibb left to pursue a solo career, Barry and Maurice performed the song acoustically with their sister Lesley on a BBC-TV special. And the group recorded the song once again with Robin during the sessions for their 2 Years On reunion LP.

bee-geesWhile the song was ultimately left off that album it appeared a short time later on the soundtrack to the 1971 film Melody. It has appeared on Bee Gees compilations and box sets but never on an official Bee Gees album. Andy Gibb too recorded a version that was never released.

As a Moody Blues fan, when I first heard “Morning of My Life” I thought the similarities to the Moodies’ 1971 “Emily’s Song” were striking. Since the Bee Gees song has origins half a decade previous, if one song influenced the other it was certainly the Bee Gees tune that inspired the one by the Moody Blues, and this seems fairly likely to me.

Take note not only of the common lyrical threads but of the general similarity in feel between the song Barry Gibb seems to have aimed at a young child and the composition John Lodge of the Moody Blues wrote for his newborn daughter Emily (and which parenthetically inspired the naming of my own daughter Emily):


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Ten Artists Sounding Uncannily Similar to Other Artists


Welcome to our little homage to musical homage. The following ten artists, whether by willful attempt or sheer happenstance, managed to pull off amazingly credible imitations of more notable musical acts. They say imitation is the sincerest form of flattery. We’ll let you decide:

Dave Kerzner: “Stranded”

This Dark Side-era Pink Floyd sound-alike couldn’t possibly have happened by accident. Kerzner’s 2014 New World album, though it literally and figuratively shows its influences on its sleeve, is actually an outstanding progressive rock record in its own right. But “Stranded”, more than any song I’ve ever heard, shows an artist who’s assimilated the Floydian musical vocabulary.



Lissie: “Further Away (Romance Police)”

Late-70’s Fleetwood Mac is revisited by singer-songwriter Lissie, complete with the Lindsey Buckingham guitar and Stevie Nicks vocals.


Ali Thomson: “Take a Little Rhythm”

You may remember this #15 hit from 1980. If so, you almost surely thought it was Paul McCartney because it perfectly mimicked the sound of his late-70’s hits, not to mention the Tom Scott sax solo of “Listen to What the Man Said” and the prominence of the bass guitar in the mix. And also because who the hell is Ali Thomson?


Jeremy Fisher: “Scar That Never Heals”

With all the stories floating around about Paul Simon cribbing musically from other artists it’s good to see another singer so “inspired” by Paul. Or so it sounds to me.



Kingdom Come: “Get it On”

This one’s just brazen. From John Bonham’s thunderous drum sound to Robert’s Plant’s wail to a riff that, to say the very least, “evokes” Led Zeppelin’s “Kashmir”…come on, guys. I mean, that sound is taken. Get your own.


Tyler Ramsey: “Stay Gone”

Neil Young is channeled on this one, though it’s not clear if Tyler Ramsey consciously does so. I hear echoes here of some of young Neil’s early 70’s tunes such as “Winterlong”.



Band of Horses: “Long Vows”

Again with the Neil Young! Band of horses sound like they got hold of a Zuma outtake here. In a good way.


UNSPECIFIED - CIRCA 1970: Photo of Simon and Garfunkel Photo by Michael Ochs Archives/Getty Images

Kings of Convenience: “Homesick”

The Norwegian duo known as Kings of Convenience capture the close harmonies and intimate spare sound of “Scarborough Fair”-period Simon & Garfunkel on this one. Or as their own words in this very song describe it “two soft voices, blended in perfection”.


Accept: “Balls to the Wall”

It seems in the world of 80’s metal you could scrape out a bit of a career merely by imitating an iconic act. Since their red hot career has presumably cooled off by now (unless like Spinal Tap they’re enjoying a revival in Japan) I wonder if it’s occurred to no-hit wonder Accept–and to the previously mentioned Kingdom Come for that matter–that there’s always a living to be made as a tribute band? Who could better fill the AC/DC void now that Brian Johnson has called it quits?



Tin Tin: “Toast and Marmalade for Tea”

In case you’re not conversant with late-60’s pop, or old enough to remember that the Bee Gees had quite a successful career before anyone had ever heard of disco, Aussie duo Tin Tin was pretty much exactly what the Gibb brothers sounded like from about 1968 to ’72. It’s not a shock that Maurice Gibb produced the quaint “Toast and Marmalade for Tea”, Tin Tin’s only U.S. top 40 hit and a long-forgotten chestnut. It carries the stately sound of contemporaneous Bee Gees hits such as “Lonely Days” and “I’ve Gotta Get a Message to You”.

The Joy of the Bee Gees–BBC Full HD Documentary 2014

Songs You May Have Missed #58

bee gees

Bee Gees: “This is Where I Came In” (2001)

The Bee Gees continued making good music for many years after America mostly stopped listening. If you can only think of falsetto vocals and disco when you think of them, give this one a listen.

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