The Death of the Key Change

(via Tedium.) by Chris Dalla Riva

One of the strangest things about Michael Jackson’s solo career is that he didn’t release that much music. In the two decades after his adult debut—1979’s Off the Wall—Jackson only released 5 solo albums, totaling 59 songs. As a point of comparison, in the two decades after his solo debut, Paul McCartney—the only realistic competitor to Jackson’s title as King of Pop—put out 14 albums containing 176 songs.

Nevertheless, given that nearly 40 percent of Jackson’s songs during this period were top 10 hits, it’s safe to say that he still wears the crown. Among those hits, there’s always been one song that’s stood out to me: “Man in the Mirror”.

Man in the Mirror” is gospel record that sees the narrator looking to make a positive change in the world but quickly realizing that he first needs to make a change in himself:

I’m starting with the man in the mirror.

I’m asking him to change his ways.

And no message could’ve been any clearer:

If they wanna make the world a better place

Take a look at yourself and then make a change.

Part of the reason this record stands out among Jackson’s solo songs is his vocal performance. From “Billie Jean” to “Dirty Diana” to “Wanna Be Startin’ Somethin’,” the vocals on many of Jackson’s hits sound frantic, like he’s navigating through a labyrinth. “Man in the Mirror” is not like that. Jackson sounds comfortable and empowered. That performance makes the record distinct in his oeuvre.

But there’s another reason it stands out: the key change from G major to G# major that occurs at around 2 minutes and 52 seconds…

Read more: https://tedium.co/2022/11/09/the-death-of-the-key-change/

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