Songs You Can’t Sing Today

Yes, our music is a little more politically correct today than in the past, despite people like Lil Wayne trying to set the cause back several decades. Here are a few songs that probably wouldn’t make it onto the radio if they were recorded today:

 

The Crystals: “He Hit Me (and it Felt Like a Kiss)”

“He hit me, and I knew he loved me…he hit me, I was glad”

(Co-written by Carole King!)

 

Ten Years After: “I’d Love to Change the World”

“Everywhere is freaks and hairys/Dykes and fairies/Tell me where is sanity?”

 

The Beatles: “Getting Better”

“I used to be cruel to my woman/I beat her and kept her apart from the things that she loved”

 

Mungo Jerry: “In the Summertime”

“Have a drink, have a drive/Go out and see what you can find”

 

Dire Straits: “Money For Nothing”

“See the little faggot with the earring and the makeup…that little faggot is a millionaire”

(Although this song was meant to be satirical it seems unlikely the language would be allowed on radio today)

 

Ringo Starr: “You’re Sixteen”

“You’re my baby, you’re my pet/We fell in love on the night we met…you’re sixteen, you’re beautiful, and you’re mine”

 

Dusty Springfield: “Wishin’ and Hopin'”

“Yeah, just do it/And after you do, you will be his”

A Touching Speech, From the Bride’s Father to the Groom

Pop Quiz: Indie Rock Frontman or Random Guy in Brooklyn?

indie 1 indie 2 indie 3

Think you know Indie Rock? Can you tell a band frontman from some random Brooklyn guy? Test yourself with this quiz at BuzzFeed:

http://www.buzzfeed.com/rdio/quiz-indie-rock-frontman-or-random-guy-in-brookly-6uiu?b=1

BBC Documentaty: Prog Rock Britannia

Unfortunately, only about half of this excellent documentary is currently posted on YouTube. But it’s still a worthwhile view, whether you’re a fan of the genre or want to learn more about its, ehrm…genesis.

Queen Documentary: The Rise, Fall, Revival, and Tragic End of One of Rock’s Greatest

(Reprinted from Open Culture)

If there was ever a band that perfectly embodied all of the massive excesses of late 70′s arena rock, that band was Queen. Occasionally ridiculous, often sublime, never boring, the four piece overtook The Who for stage theatrics and personality, and could boast of one of the most adventurous and innovative rock guitarists of all time in Brian May.

The rhythm section of John Deacon and Roger Taylor didn’t slouch either, but as we know, when we’re talking Queen, we’re talking Freddie Mercury, the most charismatic, powerful lead singer in rock history, or as Allmusic’s Greg Plato put it, “one of rock’s greatest all-time entertainers/showmen,” who “possessed one of the greatest voices in all of music and penned some of pop’s most enduring and instantly recognizable compositions.” I suspect there a little hyperbole there, but maybe not much.

In any case, Mercury sold all those “greatests” to hundreds of millions of fans, over a 20 year career spanning 26 albums and many hundreds of operatic megashows. Mercury and the band worked incredibly long and hard to earn every accolade, tribute, box set, and memorial since Mercury’s shockingly sudden death from AIDS complications in 1991. One of the most recent of those tributes is the documentary above Queen: The Days of Our Lives.

Released on the 40th anniversary of Queen’s founding in May 2011, the film takes its title not from the long-running soap opera but from the band’s final recording together, “These Are the Days of Our Lives,” written by drummer Roger Taylor and issued as a single in the U.S. just one month before Mercury’s death. The song (and video) subsequently became a poignant reminder of what the music world lost when it lost Freddie Mercury.

Originally released in two parts on UK television, the full version of the documentary above has Dutch subtitles, tons of archival footage and revealing interviews, and enough awesome guitar solos to fill up Wembley Stadium.

The History of Music Told in Seven Rapidly Illustrated Minutes (In Spanish)

(Reprinted from Open Culture)

Your senses do deceive you, my friends. This is not the latest, greatest video from RSA Animate. No, this video comes to us via Pablo Morales de los Rios, a Spanish artist, who has artistically narrated the history of music — or the Historia de la Música – in a shade less than seven minutes. 6:59, to be precise. You don’t need much Spanish under your belt to realize that the story starts 50,000 years ago, then moves quickly from the Ancient Greeks, Romans and Egyptians, to the troubadours of the Middle Ages. The video gives disproportionate attention to classical music during the following periods – Renacimiento, Barroco, Classicismo and Romanticismo. But before wrapping up, we tack over to America and witness the birth of jazz and the blues, before heading back across the pond for the Invasión británica. Artistically speaking, it all culminates in a pretty interesting way. But we’ll let you see how things play out.

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