“Wagon Wheel”: Raiding Bob Dylan’s Wastebasket

old crow rucker

“Wagon Wheel” is a song with a very interesting story. It doesn’t sound like a typical 21st century country song. But it’s the kind of song 21st century country artists love to cover because it’s the kind modern country songwriters have so much trouble coming up with. Which is to say, it comes from a more instinctive place, taking the express track from the writer’s gut without that stop at the brain for mental market-testing.

whiskey river wagon wheel

“Wagon Wheel” sounds like the work of one of the great folk songwriters of the 20th century, say a Woody Guthrie or a Stephen Foster…because it is in fact the work of one of the great folk songwriters of the 20th century–at least in part. I direct you to Wikipedia for the story:

(The following reprinted from Wikipedia)

“Wagon Wheel” is a song originally sketched by Bob Dylan and later completed by Old Crow Medicine Show. Old Crow Medicine Show’s version was certified gold by the Recording Industry Association of America in November 2011.

“Wagon Wheel” is composed of two different parts. The chorus and melody for the song comes from a demo recorded by Bob Dylan during the Pat Garrett and Billy the Kid sessions. Although never officially released, the Dylan song was released on a bootleg and is usually named after the chorus and its refrain of “Rock Me Mama.” Although Dylan left the song an unfinished sketch, Ketch Secor of Old Crow Medicine Show wrote verses for the song around Dylan’s original chorus. Secor’s additional lyrics transformed “Rock Me Mama” into “Wagon Wheel.” Secor has stated the song is partially autobiographical. The song has become extremely popular since its inclusion on Old Crow Medicine Show’s major label debut, O.C.M.S. in 2004, although the song appeared in earlier form on the now out of print “Troubles Up and Down the Road” EP in 2001. Dylan’s song is often credited to “A. Crudup.”, and the official publishing information is Dylan/Secor.

Old Crow Medicine Show: “Wagon Wheel” (2004)

Dan Milliken, reviewing the song for Country Universe, gave it an A+ rating, calling it “one of country music’s all-time great sing-alongs”.

The song has since been covered by numerous artists, including: Darius Rucker, Chad Brownlee, The Menzingers, Nash Street, Great American Taxi, Against Me!, Stephen Kellogg and the Sixers, Chris Pureka, David McMillin, Jeremy McComb, Matt Andersen, Mumford & Sons, Bodega, Little Feat, Donegal X-Press, Pat Buzzard of Saving Jane, Little Big Town, and Samjack Boys. (Note: there are lots more versions besides.)

Darius Rucker joined Old Crow Medicine Show at the Grand Ole Opry July 6, 2012, “for a special rendition of ‘Wagon Wheel.’” The fans “went crazy over Rucker’s cover of the Old Crow Medicine Show hit,” setting the stage for his tweeted announcement: “Secret out after @opry perf. I recorded a version of ‘Wagon Wheel’ for my new record & @ladyantebellum sings on track.” The new album, True Believers, is his third solo project on Capitol Records. Rucker’s cover is the album’s second single.

Darius Rucker: “Wagon Wheel” (2012)

The song did not at first appeal to Rucker. “Somebody had played ‘Wagon Wheel’ for me years ago,” he says. “It was one of those things that I didn’t really get.” When the faculty band from his daughter’s high school performed it, though, it had a different effect. Relating the story . .

“So, I’m at my daughter’s high school talent show, and I’m sitting in the audience with my family. We were watching my daughter, and the faculty band gets up. It’s just the faculty from her school, and they play ‘Wagon Wheel.’ I’m sitting in the audience, and they get to the middle of the chorus, and I turned to my wife, and I go, ‘I’ve got to cut this song.’ I’m serious. This all happened in three-and-a-half minutes, four minutes, while they’re playing the song.”

Bohemian Rhapsody at Indiana University

A song that lends itself to so many styles, from the sublime to the ridiculous…

See also: https://edcyphers.com/2012/03/01/best-version-of-bohemian-rhapsody-ever-played-in-a-vw-7/

Valentine’s Day Quiz: Marvin Gaye Lyric Or Nietzsche Quote?

Gaye(Reprinted from Thought Catalog)

By Zach Schonfeld

Can you tell the difference between Marvin Gaye or Nietzsche quotes about love? Test yourself with this Valentine’s Day quiz!

“In the end one loves one’s desire and not what is desired.”

“Gonna get it together. Gonna love every day every night till I get it.”

“What else is love but understanding and rejoicing in the fact that another person lives, acts, and experiences otherwise than we do…?”

“Boy, it’s the sweetness of your charms. Makes me love you more each day. In your arms I wanna stay.”

“I don’t know where you come from, baby. Don’t know where you’ve been, my baby. Heaven must have sent you, honey, into my arms.”

“It offends us beyond forgiving when we discover that where we were convinced we were loved we were in fact regarded only as a piece of household furniture and room decoration for the master of the house to exercise his vanity upon before his guests.”

“I’ll be lovin’ you, I can’t help myself. I’ll be lovin’ you and nobody else.”

“There is always some madness in love. But there is also always some reason in madness.”

“If we live together with another person too closely, what happens is similar to when we repeatedly handle a good engraving with our bare hands: one day all we have left is a piece of dirty paper.”

“When I get that feeling, I want sexual healing. Sexual healing, oh baby.”

“Sensuality often hastens the growth of love so much that the roots remain weak and are easily torn up.”

“Where’d you get such sweet sugar? I’ll be lovin’ you day and night. In and out, wrong or right. Cause I want you, baby, for my wife. Oh girl, you’re so divine.”

“When you stare into the abyss the abyss stares back at you.”

 

Oh, Oh, Telephone Line–How ELO’s First Album was Given its Title by Mistake

no answer

(Reprinted from Snopes.com)

Claim: A record label inadvertently mistitled the U.S. version of the Electric Light Orchestra’s debut album because of a misunderstood phone message.

Status: True

Origins: In the early 1970’s Jeff Lynne, Roy Wood and Bev Bevan, members of a group called The Move, developed a concept for fusing rock and classical music. All three continued to bide their time recording and performing as The Move while they assembled the collection of classical instrumentalists they needed to flesh out their “Electric Light Orchestra”. Meanwhile, their manager, Don Arden, managed to line up a recording contract for the nascent group with Harvest Records (UK) and United Artists (U.S.)

After some delay while The Move wound down, the Electric Light Orchestra finally recorded their first album, which was released in the UK by Harvest in December 1971 and (in line with common practice for debut LPs by new groups) assigned the eponymous title of Electric Light Orchestra. When the same album was released in America by United Artists three months later, however, it bore a completely different title: No Answer.

Why the switch?

As groups such as the Beatles had learned years earlier, American record companies had no compunctions about retitling (and even rearranging) the LPs of British groups to suit their notions of what would sell in the American record market. But what possessed United Artists to reject a straightforward album title in favor of one that seemingly made no sense? After all, No Answer wasn’t the name of a song on the LP, the phrase wasn’t found in any of the album’s lyrics, and it certainly didn’t signify anything of importance to the American record-buying public.

The answer is that the title was an accident, the result of a misunderstood phone communication.

The legend differs slightly in some of the details from telling to telling, but the basic premise is that when United Artists was preparing to schedule Electric Light Orchestra’s debut album for release in the U.S. someone from United Artists (either an executive or his secretary) placed a call to someone connected with ELO (either an executive at Harvest Records or the group’s manager) to find out, among other things, what the LP should be titled. The caller, having failed to reach the desired party, jotted down the notation “no answer”, a phrase which was mistaken for an album title and assigned to the U.S. version of the group’s debut record.

This all sounds like a story a PR person might have concocted to garner some free publicity for a new band, but no one has ever offered a plausible alternative explanation for the origins of the No Answer album title, and Bev Bevan, ELO’s drummer, affirms that the familiar account is true:

Bevan confirms the story that the album was called No Answer in America due to a misunderstanding. The American record company phoned to discuss the title with ELO manager Don Arden, but his secretary couldn’t contact him and replied with the two words that became immortalized on the album sleeves.

“It was quite a good title, though, wasn’t it?” says Bevan, the band’s drummer and percussionist.

In an odd coincidence, a similar mix-up at about the same time resulted in a Byrds LP mistakenly being released with a title of Untitled.

Mom Convinces Michael Bublé To Let Her Son Sing

It’s getting to the point where even when you pay to see a professional singer perform, someone wants to turn it into an episode of My Kid’s Got Talent.

My first reaction was: He’s really good! Wow, that worked out really well.

My deleyed reaction was: How incredibly inappropriate to do something like that. No matter how well your teenage son can sing, the fact is that no one in the room paid money to see him. And you’re fortunate your interruption of the concert didn’t get you kicked out.

Yes’ “Roundabout”: Big in Japan

“Hello to our friends in Japan!

We are delighted that Roundabout, performed by YES and written by Jon Anderson & myself, is so popular in your country right now!

I look forward to returning with Yes or on my own in the very near future.”

—Steve Howe

End credits from JoJo’s Bizarre Adventure, a popular Japanese manga series-turned TV show.

Unknown Asian band perform a super-tight version of “Roundabout”.

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