Great Writers on the Power of Music

(via brainpickings) BY MARIA POPOVA

“Music is the best means we have of digesting time,” Igor 

Stravinsky once remarked (a remark often misattributed to W.H. Auden). “Music is the sound wave of the soul,” the wise and wonderful Morley observed. Psychologists have studied why playing music benefits your brain more than any other activity and how listening to music enraptures the brain. But, more than that, music works over the human spirit and stands as a supreme manifestation of our very humanity — something Carl Sagan knew when he sent the Golden Record into the cosmos as a representation of the most universal truths of our civilization.

Gathered here are uncommonly beautiful reflections on the singular power of music by some of humanity’s greatest writers, collected over years of reading — please enjoy.

Susan Sontag spent the majority of her adult life reading between eight and ten hours a day, and never fewer than four. Her intense love of literature was paralleled by a commensurate love of music. In a diary entry found in Reborn: Journals and Notebooks, 1947–1963 (public library) — the spectacular volume that gave us young Sontag on personal growthartmarriagethe four people a great writer must be, and her duties for being a twenty-something — she writes at age 15:

Music is at once the most wonderful, the most alive of all the arts — it is the most abstract, the most perfect, the most pure — and the most sensual. I listen with my body and it is my body that aches in response to the passion and pathos embodied in this music.

In his final essay collection, A Man Without a Country (public library) — the source of his abiding wisdom on the shapes of stories — Kurt Vonnegut wrote that music, above all else, “made being alive almost worthwhile” for him. He synthesized the sentiment in an extra-concentrated dose of his wry irreverence:

If I should ever die, God forbid, let this be my epitaph:
THE ONLY PROOF HE NEEDED
FOR THE EXISTENCE OF GOD
WAS MUSIC

Read more: Great Writers on the Power of Music – Brain Pickings

Did You Ever Realize…

Whatever Happened To… Steve Perry’s Journey After Journey

(via Culture Sonar) by Will Wills

Did you know that Journey had a singer before Steve Perry?  The band had been around since 1973, with plans to be a backing group for solo acts. Then they switched to being a jazz fusion band with Gregg Rolie on vocals.  That particular incarnation of Journey released a few albums through 1977 that only charted as high as #85 on the Billboard Top 200.

In 1977, the band hired Robert Fleischman to take over lead vocals and transitioned to a musical style more rock than jazz. They opened for acts such as Judas Priest, and Emerson, Lake, and Palmer. And while they found slightly more success, it wasn’t until Steve Perry was snuck onto the stage during a soundcheck that it was immediately decided that he would be their new lead singer…

Read more: Steve Perry’s Journey…After “Journey” – CultureSonar

Some Important Observations On Steeleye Span, Experiments In Folk Rock And Cows

(via The ARTery) uly 20, 2015 by Chris Braiotta

I want to talk to you about what it means to experiment. Let’s begin with the following sentence: “We did try a reggae ‘Spotted Cow’ and we weren’t terribly convinced by it, so we stopped doing it.”

You’ll be needing a little context for that. “Spotted Cow” is a song from around 1740. It’s about a woman who’s lost her cow. She complains about it to this guy she runs into. He’s like, “Lady, I am game to help you find your cow. Let us do this.” They go off to a field to find it. Obvious place to start, right? Before long … well, you know how fields are. Sexiest thing in nature. So they decide to do what comes naturally to a man and a woman in a field, which isn’t really looking for cows. From then on, whenever the lady’s looking for a bit of you-know-what, she finds some guy and tells him about her cow.

The speaker of that sentence was Maddy Prior, singer of the great English folk-rock band Steeleye Span. This is a band that she’s led since 1969.

So, to sum up: ‘70s English folk-rock band, cow used as cover story for Georgian booty call. And then: reggae.

“When you’re experimenting with things they can’t all be winners,” she says. “I’m pleased that we tried things.”

I don’t care how “out there” you think your favorite band is. This is what it means to be fearless. This is what experimenting is…

Read more: Some Important Observations On Steeleye Span, Experiments In Folk Rock And Cows | The ARTery (wbur.org)

See also: Recommended Albums #47 | Every Moment Has A Song (edcyphers.com)

See also: Songs You May Have Missed #200 | Every Moment Has A Song (edcyphers.com)

The lost art of deep listening: Choose an album. Lose the phone. Close your eyes.

Clint Eastwood listens to records at his home in 1959. 
(CBS Photo Archive/Getty Images)

(via Los Angeles Times) By RANDALL ROBERTS

What’s your favorite album? When was the last time you listened — actually listened — to it from start to finish? With intention, like you were watching a movie or reading a novel.

Clear your schedule for the next three hours. Choose three full albums, whether from your collection or your streaming service of choice. Put them in an ordered queue as though you were programming a triple feature.

Because, listen:

Musicians spend years making their albums. They struggle over syllables, melodies, bridges and rhythms with the same intensity with which you compare notes on the “Forensic Files” reboot, loot corpses in “Fortnite” or pound Cabernet during pandemics.

But most of us are half-assed when it comes to listening to albums. We put on artists’ work while we’re scrolling through Twitter, disinfecting doorknobs, obsessively washing our hands or romancing lovers permitted within our COVID-free zones. We rip our favorite tracks from their natural long-player habitat, drop them into playlists and forget the other songs, despite their being sequenced to be heard in order…

Read more: Coronavirus tips: Why you should listen to music in this way – Los Angeles Times (latimes.com)

Albumlinernotes.com is the largest archive of Liner Notes on the internet.

Albumlinernotes.com is an absolute treasure trove of artist and album information intended to help fill the great information void brought on by the music download era.

Music has never before been so readily accessible. But liner notes–the band bios, song credits, and artfully written plaudits for the music you love–are sadly a thing of the past, unless you’re an avid collector of reissues like this writer.

This is the kind of site a music lover can get lost in. Check it out.

Album Liner Notes

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