For the Love of Him–The Sexist 70’s

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Don’t think for a minute, young fans of rap music, that your favorite gangstas invented sexism, misogyny, and male chauvinism. Thanks to guys like Tom Jones, Mac Davis and R.B. Greaves, we were doing quite nicely in that regard forty years ago.

It was a different time, and if you lived through it you thought nothing of singing along with lyrics like “wish you could come but I don’t need no woman taggin’ along“. Many of these songs survive to this day via heavy radio airplay because…well, they just made sexism so damn catchy! The only difference is you may feel a little self-conscious singing along today.

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Mac Davis: “Baby Don’t Get Hooked On Me”

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With lyrics like:

Just keep it friendly girl ’cause I don’t want to leave,
Don’t start clinging to me girl ’cause I can’t breathe

and

Baby, baby don’t get hooked on me.
‘Cause I’ll just use you then I’ll set you free….

…how could a woman resist the charms of one Mac Davis?

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R.B. Greaves: “Take A Letter Maria”

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R.B. Greaves (nephew of Sam Cooke) finds his wife in the arms of another man, so he dictates a letter to his secretary letting said wife and his lawyer know he’ll be eschewing couples counselling (not to mention any responsibility for the obvious marital problems) and leaving to start a new life. Oh, and p.s. miss secretary: he’s free for dinner tonight if you’re game for a rebound relationship.

What a model of sensitivity he must have been as a husband.

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Chairmen Of The Board: “Pay To The Piper”

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In light of their 1970 hit “Pay to the Piper” I wonder what kind of office The Chairmen of the Board ran. They probably had a lot of turnover among office secretaries. Sample lyric:

I spend my money on you–every dime
You even told me you had a good time
The night is through and we’re all alone
You said it’s time that you went home
You’ve been wined and dined in front of me
Just how nice must I be?
I played the tune, you dug the beat
Now come on, girl–be nice to me

If you dance to the music, don’t you know
You’ve got to pay to the piper
Ask your mama!

…You say that you haven’t known me long
How much longer will this go on?
Girl, my patience is wearing thin
I wanna be more than just a friend
Girl, I need some love desperately
Stop teasing, girl–take care of me

I think my favorite line is “Ask your mama!” That’s right–the woman who bore you will tell you the score: You were raised to be the plaything of any “gentleman” willing to foot the bill for dinner and a couple bevies. Don’t test his patience! Just…you know, take care of him! Don’t tease a guy by going out to dinner and trying to get to know him, dammit!

And don’t make me tell your father you won’t put out, young lady.

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Cornelius Brothers and Sister Rose: “Treat Her Like a Lady”

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Possibly the most unintentionally ironic song ever. Cornelius Brothers and sister Rose espouse gentlemanly treatment of women–but only as a means to the end of manipulation and eventual domination. The song’s title gives the false hope that these guys get it, but lines like “strange as it seems…you can’t treat a woman mean” belie the apparent good intentions. More sample lyrics:

All my friends had to ask me
Somethin’ they didn’t understand
How I get all the women
In the palms of my hand

And I told them, treat her like a lady
The best you can do
You got to treat her like a lady, and she’ll give in to you…

You know a woman is sentimental
And so easy to upset

So make her feel
That she’s for real

And she give you happiness…

So my friend, there you have it
I said it’s the easy simple way
If you fail, uh, ta do this
Don’t blame her if she looks my way

‘Cause I’m gonna treat her like a lady

So affectionately
I’m gonna treat her like a lady
She’ll give into me

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Tom Jones: “She’s A Lady”

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Tom Jones’ “She’s a Lady” must be reprinted in its entirety to be believed. If there were a trophy to award for sexism in a song, Tom’s name would be engraved in perpetuity for this masterpiece of musical condescension:

Well, she’s all you’d ever want
She’s the kind I like to flaunt and take to dinner
But she always knows her place
She’s got style, she’s got grace, she’s a winner
She’s a lady
Oh, whoa, whoa, she’s a lady
Talkin’ about that little lady
And the lady is mine

Well, she’s never in the way
Always something nice to say, and what a blessin’
I can leave her on her own
Knowin’ she’s OK alone and there’s no messin’
She’s a lady
Oh, whoa, whoa, she’s a lady
Talkin’ about that little lady
And the lady is mine

Well, she never asks very much
And I don’t refuse her
Always treat her with respect
I never would abuse her
What she’s got is hard to find
And I don’t want to lose her
Help me build a mountain
From a little pile of clay, hey hey hey

Well, she knows what I’m about
She can take what I dish out, and that’s not easy
But she knows me through and through
And she knows just what to do and how to please me
She’s a lady…

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Bobbi Martin: “For The Love Of Him”

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1970’s women were happy to chime in on the joys and sorrows of living in a man’s world, too. Check out Bobbi Martin, who without a trace of irony instructs fellow members of the weaker sex in the art of behaving like a cocker spaniel:

When he opens the door says I’m home
Beware of the look in his eyes
They tell you the mood he’s in
What kind of day it’s been
For the love of him
Make him your reason for living
Give all the love you can give him
All the love you can…

I’d like to think Eminem’s misogynist rantings will sound as silly forty years from now. It will be a sign we live in a more enlightened world.

This Day in Music: Simon & Garfunkel Record ‘Bridge Over Troubled Water’

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(via This Day in Music)

simonIt’s one of those songs, isn’t it? A timeless classic which can still, to this day, send a shiver down the spine. The single won the Grammy Award for Record of the Year and Song of the Year in 1971.

Paul Simon wrote the song while his partner Art Garfunkel was filming in Europe for the black comedy Catch-22 that starred Alan Arkin. The duo were coming to the end of their relatively short career, tensions were high, and by the time their fifth and final studio album was in the charts, Simon and Garfunkel were no longer.

Paul Simon told Rolling Stone in 1972 that he now regrets his insistence that Art Garfunkel sing this song as a solo, as it focused attention on Garfunkel and relegated Simon to a secondary position. Art initially did not want to sing the lead vocal, feeling it was not right for him, stating that Simon should have sung the song. But after all these years, as a listener, you can’t imagine anyone else but Art singing this beautiful song.

When Simon first presented the song to Garfunkel it had just two verses and the singer suggested Simon pen another verse, which he did. The final verse was written about Simon’s then-wife Peggy Harper, who had noticed her first gray hairs, inspiring the line, “Sail on, silver girl.” The first two verses had been recorded in New York and the final new verse was laid down in a studio in Los Angles…

Read more: http://www.thisdayinmusic.com/pages/bridge_over_troubled_water

Ten Contemporary Songwriters Who Got Major Help from Classical Composers

beatlesmanilow

(via purple clover)

by Kevin Haynes

“American Tune” (Paul Simon, 1973)

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Who says religion and politics don’t mix? Paul Simon’s somber ode to the immigrant experience and the decaying American dream is sung to a chorale from Bach’s “St. Matthew Passion,” first performed in 1727. Simon has always acknowledged the debt, but it turns out he was following Bach’s lead in more ways than one. The German composer apparently swiped the melody from a love song written at the turn of the 17th century by fellow countryman Hans Leo Hassler, “Mein G’müt ist mir verwirret.” Hymnist Paul Gerhardt later translated Latin words of praise to go with the theme; “O Sacred Head, Now Wounded” has been a church favorite ever since…

Read more: http://www.purpleclover.com/entertainment/5562-classical-gas/

Macklemore & Ryan Lewis’ “Downtown” Video

Feel free to watch Macklemore’s new video for entertainment purposes only–it’s closing in on 60 million YouTube views, so you’ll hardly be the first.

But that’s not the reason it’s posted here. I thought it interesting to note its staggeringly long list of credits. This “promotional film” must have had a budget to rival some independent feature films.

I’m not diminishing the song by saying this–plenty of worse tunes will see the top forty this year–but it does remind me a bit of the heyday of MTV, when a music video could drive a mediocre song to the upper reaches of the chart. When a haircut, a “look”, or a cleverly directed, technically ground-breaking or suggestive/sexually explicit bit of video could artificially propel a song’s chart performance. (cough cough…Robert Palmer! cough cough)

The video is spectacular and fun. I’m not here to diss it. I’m just saying that in the world of popular music and its video component, sometimes it seems the cart is placed before the moped.

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DOWNTOWN FEAT MELLE MEL, KOOL MOE DEE, GRANDMASTER CAZ & ERIC NALLY

Directed By
Ryan Lewis
Jason Koenig
Ben Haggerty

Written By
Ben Haggerty
Jason Koenig
Ryan Lewis

Executive Producer M&RL Films
Lead Producer – Honna Kimmerer
Producer – Jason Koenig

Co-Produced By VISION
Producer – Geoff McLean
Line Producer – Michele Lawrence
Production Coordinator – Kristi Heicke

Co-Produced By NxNW
Line Producer – Randy Kron
Production Coordinator – Diane Eve

Cinematography
Christopher Probst
Jason Koenig

Art Director
John Lavin

Assistant Art Director
Kaleo Quenzer

1st Assistant Director
John Nasraway

2nd Assistant Director
Isaac Mejia

Edited By
Ryan Lewis / Jason Keonig / Ben Haggerty

Assistant Editor
Phil Harvey

Movi/Drone Operator
Ryan Haug

1st Assistant Camera
Ryan Brown

2nd Assistant Camera
Chris Duerkopp

Camera Operators
Mitchell Overton
John Peterson

Location Manager
Alan Lee Baker

Casting
Jackie Ganger
Jenny Koenig
Nike Imoru
Kenny Parks

Choreography
Massive Monkees:
Brysen Angeles
Jerome Aparis
Terrance Guillermo
Hocine Jouini

Stylists
Therese Lefebvre
Paul White

Specialized Costume Designer
Logan Neitzel

Wardrobe
Lucky Vintage / Caryn Cook
Lisa Caryl-Vukas

Makeup
Shannon Bisconer
Trista Jordan
Amy Bruscoe
Jeanne Kobayashi

Prop Master/Buyer
Emily Wood

Head Carpenter/Set dresser
Teo Shantz

Key Scenic Artist/Set dresser
Tenold Sundberg

Set Dresser/Assistant props
Blake Nelson

Carpenter
Finch Izatt

Gaffer
James Winters

Key Grip
Eric Budlong

Best Boy Grip
Dan Kerpluk

Grip
Kaiyoti Pesante
Randy Vega

Grip Assistant
Keaton Kinnaman

Grip Driver
Mike Rodriguez

Crane / Jib Operator
Greg Richie

Vehicle Wrangler
Craig Binkley
Jay Neilson
Layne Schmerin

Stunt Coordinator/Process Trailer
Jerry Buxbuam

Stunt Riders
Nick Cooper
Matthew McCoy
Byron Petretti
Austin Gerimonte
Craig Payne

Playback
Tyler Dopps

Lead Production Assistants
Layne Schmerin
Andrea Jewett
Jay Neilson
Jennie Pegouskie
Kyle “KJ” Johnson

Production Assistants
Jesse Lonchar
Ron Ridenour
Darrien Mack
Lindsay Johnston
Jared Greene
Ben Berkimer
Mackenzie Pierce
Hunter Ramp
Eric Feichtinger
Brandon Balmelli
Nina Wizner
Matt Weigand
Matt Alley
Alize Marsh
Hans Liezen
Aspen Edwards
Kelly Van Lith
Mason Van Lith
Gretchen Van Lith
Ali Johnston
Jackie Santin
Alex Roland
Becca Zabawa

Location Assistants
Sheila Clifford
Layne Schmerin
Noah Pasino
Leif McLeod
Tyler Clark
Aaaron Shell

Wardrobe Assistants
Pauletta Caryl
Renae Meredith
Serenca Caryl

Art Department Assistant
Page Lavin

Colorist
Taylre Jones
Benoît Côté
Kevin Adams
Jason Koenig
Ryan Lewis

Digital Retouching
Nate Taylor

Titles & Graphic Design
Hans Woody

Craft Service Lead
Justina Renoud

Craft Service Asstistants
Chandler Dill
Jordan Dill

Medic
Heather Dixon

Transpo
Thomas Olson
Roy Parson

Behind the Scenes Photography
Zoe Rain

Starring
Macklemore
Eric Nally
Kool Moe Dee
Melle Mel
Grandmaster Caz
Ken Griffey Jr.
Brysen Angeles
Terrance Guillermo
Tyler Andrews (XP)
Seth Welch
Brandon Foy (PHNK)
Jerome Aparis
Hocine Jouini
Alan Lee Baker
Brianne Thompson
Wyatt Forrest

Extras (in no particular order)
Kenny Parks, Jr.
Zach Quillen
Josh Dick
Ben Secord
Jennie Pegouskie
Sharayah Lane
Frank Hendler
Donnell Manning
Margaret Chen
Sye Holland
Dharma Martin
Jackie Ganger
Zoe Rain
Therese Lefebvre
Evander Cobbs
Damon Mentzer
D.R. Anderson
Darin Hilderbrand
Cedric Massey
Patrick McHenry-Kroetch
Joe Flores
Chadwick Platt-Kuhn
Josh Blakey
Victoria James
Jeremy Lindholm
Nicholas Tellez
Shanner Escalanti
Shawntelle Moncy
Heidi Lockhart
Charles Fletcher
Scott & J Whituer
Beanie The Dog

Macklemore & Ryan Lewis managed by Zach Quillen & Josh Dick

Special Thanks To
City of Spokane
Lucky Vintage
Empire Cycle
Two Percent Scooters
The Minions Scooter Club
Scoot About
Koerner Camera
Scott Lewis
Spokane Schools
Pat & Debbie Stimpson
Zola
Juju

Glenn Frey of the Eagles to Undergo Major Surgery

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(via The Boot)

by Christina Vinson

Glenn Frey of the Eagles is facing major surgery, the band announced on Wednesday (Nov. 4). The group was supposed to attend and be honored at the 38th annual Kennedy Center Honors in December, but due to Frey’s health, they will not able to attend, and their recognition will be postponed one year…

Read More: Glenn Frey of the Eagles to Undergo Major Surgery

How to Craft the Perfect Playlist for Productivity

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(via Crew blog)

 by Jory Mackay

Nothing has more of a negative impact on my workday than forgetting my headphones.

Like most people, music is a huge part of my life. I listen to the most music while I work, sifting through playlists, from neo classical to indie to electronica on what seems like a never-ending search for the perfect tunes to keep me in the zone.

We spend so many of our days at work, and so much of our workdays in front of a screen, that music has become indispensable in keeping us happy, motivated, and productive.

But are all songs made the same? Or are there perfect tracks for certain tasks?

Read more: http://blog.crew.co/productivity-playlist/

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