Macklemore & Ryan Lewis’ “Downtown” Video

Feel free to watch Macklemore’s new video for entertainment purposes only–it’s closing in on 60 million YouTube views, so you’ll hardly be the first.

But that’s not the reason it’s posted here. I thought it interesting to note its staggeringly long list of credits. This “promotional film” must have had a budget to rival some independent feature films.

I’m not diminishing the song by saying this–plenty of worse tunes will see the top forty this year–but it does remind me a bit of the heyday of MTV, when a music video could drive a mediocre song to the upper reaches of the chart. When a haircut, a “look”, or a cleverly directed, technically ground-breaking or suggestive/sexually explicit bit of video could artificially propel a song’s chart performance. (cough cough…Robert Palmer! cough cough)

The video is spectacular and fun. I’m not here to diss it. I’m just saying that in the world of popular music and its video component, sometimes it seems the cart is placed before the moped.

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DOWNTOWN FEAT MELLE MEL, KOOL MOE DEE, GRANDMASTER CAZ & ERIC NALLY

Directed By
Ryan Lewis
Jason Koenig
Ben Haggerty

Written By
Ben Haggerty
Jason Koenig
Ryan Lewis

Executive Producer M&RL Films
Lead Producer – Honna Kimmerer
Producer – Jason Koenig

Co-Produced By VISION
Producer – Geoff McLean
Line Producer – Michele Lawrence
Production Coordinator – Kristi Heicke

Co-Produced By NxNW
Line Producer – Randy Kron
Production Coordinator – Diane Eve

Cinematography
Christopher Probst
Jason Koenig

Art Director
John Lavin

Assistant Art Director
Kaleo Quenzer

1st Assistant Director
John Nasraway

2nd Assistant Director
Isaac Mejia

Edited By
Ryan Lewis / Jason Keonig / Ben Haggerty

Assistant Editor
Phil Harvey

Movi/Drone Operator
Ryan Haug

1st Assistant Camera
Ryan Brown

2nd Assistant Camera
Chris Duerkopp

Camera Operators
Mitchell Overton
John Peterson

Location Manager
Alan Lee Baker

Casting
Jackie Ganger
Jenny Koenig
Nike Imoru
Kenny Parks

Choreography
Massive Monkees:
Brysen Angeles
Jerome Aparis
Terrance Guillermo
Hocine Jouini

Stylists
Therese Lefebvre
Paul White

Specialized Costume Designer
Logan Neitzel

Wardrobe
Lucky Vintage / Caryn Cook
Lisa Caryl-Vukas

Makeup
Shannon Bisconer
Trista Jordan
Amy Bruscoe
Jeanne Kobayashi

Prop Master/Buyer
Emily Wood

Head Carpenter/Set dresser
Teo Shantz

Key Scenic Artist/Set dresser
Tenold Sundberg

Set Dresser/Assistant props
Blake Nelson

Carpenter
Finch Izatt

Gaffer
James Winters

Key Grip
Eric Budlong

Best Boy Grip
Dan Kerpluk

Grip
Kaiyoti Pesante
Randy Vega

Grip Assistant
Keaton Kinnaman

Grip Driver
Mike Rodriguez

Crane / Jib Operator
Greg Richie

Vehicle Wrangler
Craig Binkley
Jay Neilson
Layne Schmerin

Stunt Coordinator/Process Trailer
Jerry Buxbuam

Stunt Riders
Nick Cooper
Matthew McCoy
Byron Petretti
Austin Gerimonte
Craig Payne

Playback
Tyler Dopps

Lead Production Assistants
Layne Schmerin
Andrea Jewett
Jay Neilson
Jennie Pegouskie
Kyle “KJ” Johnson

Production Assistants
Jesse Lonchar
Ron Ridenour
Darrien Mack
Lindsay Johnston
Jared Greene
Ben Berkimer
Mackenzie Pierce
Hunter Ramp
Eric Feichtinger
Brandon Balmelli
Nina Wizner
Matt Weigand
Matt Alley
Alize Marsh
Hans Liezen
Aspen Edwards
Kelly Van Lith
Mason Van Lith
Gretchen Van Lith
Ali Johnston
Jackie Santin
Alex Roland
Becca Zabawa

Location Assistants
Sheila Clifford
Layne Schmerin
Noah Pasino
Leif McLeod
Tyler Clark
Aaaron Shell

Wardrobe Assistants
Pauletta Caryl
Renae Meredith
Serenca Caryl

Art Department Assistant
Page Lavin

Colorist
Taylre Jones
Benoît Côté
Kevin Adams
Jason Koenig
Ryan Lewis

Digital Retouching
Nate Taylor

Titles & Graphic Design
Hans Woody

Craft Service Lead
Justina Renoud

Craft Service Asstistants
Chandler Dill
Jordan Dill

Medic
Heather Dixon

Transpo
Thomas Olson
Roy Parson

Behind the Scenes Photography
Zoe Rain

Starring
Macklemore
Eric Nally
Kool Moe Dee
Melle Mel
Grandmaster Caz
Ken Griffey Jr.
Brysen Angeles
Terrance Guillermo
Tyler Andrews (XP)
Seth Welch
Brandon Foy (PHNK)
Jerome Aparis
Hocine Jouini
Alan Lee Baker
Brianne Thompson
Wyatt Forrest

Extras (in no particular order)
Kenny Parks, Jr.
Zach Quillen
Josh Dick
Ben Secord
Jennie Pegouskie
Sharayah Lane
Frank Hendler
Donnell Manning
Margaret Chen
Sye Holland
Dharma Martin
Jackie Ganger
Zoe Rain
Therese Lefebvre
Evander Cobbs
Damon Mentzer
D.R. Anderson
Darin Hilderbrand
Cedric Massey
Patrick McHenry-Kroetch
Joe Flores
Chadwick Platt-Kuhn
Josh Blakey
Victoria James
Jeremy Lindholm
Nicholas Tellez
Shanner Escalanti
Shawntelle Moncy
Heidi Lockhart
Charles Fletcher
Scott & J Whituer
Beanie The Dog

Macklemore & Ryan Lewis managed by Zach Quillen & Josh Dick

Special Thanks To
City of Spokane
Lucky Vintage
Empire Cycle
Two Percent Scooters
The Minions Scooter Club
Scoot About
Koerner Camera
Scott Lewis
Spokane Schools
Pat & Debbie Stimpson
Zola
Juju

Glenn Frey of the Eagles to Undergo Major Surgery

frey

(via The Boot)

by Christina Vinson

Glenn Frey of the Eagles is facing major surgery, the band announced on Wednesday (Nov. 4). The group was supposed to attend and be honored at the 38th annual Kennedy Center Honors in December, but due to Frey’s health, they will not able to attend, and their recognition will be postponed one year…

Read More: Glenn Frey of the Eagles to Undergo Major Surgery

How to Craft the Perfect Playlist for Productivity

headphones

(via Crew blog)

 by Jory Mackay

Nothing has more of a negative impact on my workday than forgetting my headphones.

Like most people, music is a huge part of my life. I listen to the most music while I work, sifting through playlists, from neo classical to indie to electronica on what seems like a never-ending search for the perfect tunes to keep me in the zone.

We spend so many of our days at work, and so much of our workdays in front of a screen, that music has become indispensable in keeping us happy, motivated, and productive.

But are all songs made the same? Or are there perfect tracks for certain tasks?

Read more: http://blog.crew.co/productivity-playlist/

Tower Records: Where the Good Stuff Was

tower

(via purple clover)

by Charles Paikert

I’m not usually big on nostalgia, but record stores?

Oh, baby.

My first was Walt’s Record Shop on South Salina in downtown Syracuse. I was in grammar school, and that was before malls, when people still went shopping downtown. Walt’s wasn’t even a great record store, but it had a better selection of LPs and 45s than Woolworths or Grants.

If you liked rock and roll, a record store was a gateway drug. Everything was there! You could hold albums and singles in your hands, look at the covers, read liner notes, smell the vinyl. Records were real, tactile objects, which you brought home, put on a record player, heard the pop and hiss of the needle as it hit the disc’s revolving grooves on the turntable and then—bam! loud rock music filled the room before your parents told you to turn it down…

Read more: http://www.purpleclover.com/entertainment/5515-where-good-stuff-was/

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20 Weird And Not So Weird Facts About “Weird Al” Yankovic and His Songs

al

(via mental floss)

by Roger Cormier

Starting with his first professional recordings and appearances on the Dr. Demento radio show almost 35 years ago, “Weird Al” Yankovic has managed to stay on the pop culture map and change with the times, even while so many of the bands and artists he has parodied lost the spotlight. Here are some facts about “Weird Al” Yankovic and his songs.

1. WEIRD AL’S PARENTS CHOSE THE ACCORDION FOR HIM

The legend—verified by Al Yankovic in the liner notes of his 1994 box set Permanent Record: Al in the Box—reads that on the day before Al turned 7, a door-to-door salesman came through Lynwood, California, to solicit business for a local music school, which offered its pupils a choice between guitar or accordion lessons. Because Frankie Yankovic shared the family’s surname and was known as “America’s Polka King,” Al’s parents chose the squeezebox for their son. Al would gradually learn how to play rock n’ roll on the instrument, mostly from Elton John’s Goodbye Yellow Brick Road album, playing it “over and over” and trying to play along with it. Frankie and Al weren’t actually related, but the two would eventually collaborate, with Al playing on “Who Stole the Kishka?” on Frankie’s Songs of the Polka King, Vol. 1, and Frankie’s “The Tick Tock Polka” played by Al as a lead-in to Ke$ha’s “Tik Tok” on the Alpocalypse track “Polka Face.”

Read more: http://mentalfloss.com/article/57901/20-weird-and-not-so-weird-facts-about-weird-al-yankovic-and-his-songs

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