Recommended Albums #6

bc

BC Camplight: Hide, Run Away (2005)

If you combine the piano pounding sounds of Ben Folds, melodies reminiscent of Bacharach and Nilsson, and the wacked-out sensibilities of post-Pet Sounds Brian Wilson you begin to close in on the coordinates of Philadelphia-based songwriter Brian Christinzio, a.k.a. BC Camplight.

Hide, Run Away is lyrically dark at times, but wrapped in appealing melodies of the stick-in-your-head variety. On a few tracks the Wilson admirer Christinzio determinedly emulates the sonics and instrumentation of Pet Sounds-era Beach Boys.

Leadoff track “Couldn’t You Tell” is a Bacharach-flavored lounge-y bossa nova (in a good way) that pretty much sets the lyrical tone on the album’s first line:

And if you offer me a second chance/then I would quickly need another

“Emily’s Dead To Me” finds the singer reassuring the object of his affection that another girl is no longer her rival–the phrase and song given a dark twist once it’s revealed he’s talking to that other girl’s mom.

BC Camplight’s follow-up featured the same cheerful melodies, twisted sentiments–and another bizarre album cover.

See also: https://edcyphers.com/2013/11/04/songs-you-may-have-missed-499/

See also: Songs You May Have Missed #683 | Every Moment Has A Song (edcyphers.com)

Listen to: “Couldn’t You Tell”

Listen to: “Oranges In Winter”

Listen to: “Blood And Peanut Butter”

Recommended Albums #5

Noble Creatures

The Gourds: Noble Creatures (2007)

Austin, Texas-based Alternative Country band the Gourds have been making lively, kooky shit-kicking southern roots rock since the mid-1990’s. So it’s kind of a shame that when you type in the band’s name on Amazon.com the first song title that comes up is “Gin and Juice”. Yeah, their top download is still a novelty bluegrass cover of Snoop Dogg. Maybe that’s why they haven’t found greater acceptance, in fact. If that’s your first exposure–even if you like the Snoop cover–it doesn’t exactly help you to take the band seriously. (This should be called “Stacy’s Mom Syndrome”.)

But seriously taken be should they by you, as Yoda would say (or whatever, I’m more of a Star Trek guy) because the combination of skilled songcraft and whiff of authenticity in their music is rarely matched in the genre in the post-Skynyrd era. (Please don’t tell the surviving, still-touring members of Lynyrd Skynyrd I said this is the “post-Skynyrd era”.) Only Steve Earle comes to mind for comparison, and he’s a different cat. These guys seem to be mainly out to have fun. A solid guitar-and-keyboard sound is supplemented with mandolin, bouncy accordion, and occasional horns to make it sound a little like a danceable version of The Band. With better vocals. And a couple ballads here are simply gorgeous, especially “Promenade”. This album ought to appeal to at least three types of people:

1) Skynyrd fans with triple-digit IQs (hmm, what’s that? yes there are)

2) Fans of The Band who can’t find bands today with a remotely similar sound, and

3) Anyone who likes to listen to Rock bands who don’t sound like every other Rock band.

Don’t miss: “How Will You Shine”

 

Listen to: “Promenade”

 

Listen to: “A Few Extra Kilos”

 

See also: https://edcyphers.com/2012/11/26/songs-you-may-have-missed-254/

Recommended Albums #4

The Shore

The Shore (2004)

Why the Shore’s self-titled debut album didn’t vault the band to fame is a mystery to this writer and to all nine people who’ve heard the record. It wouldn’t bother me so much if I weren’t of a religious bent. But as it happens I do believe there’ll come a day when our lives and choices will be judged. And don’t think we won’t be held accountable for that Hootie & The Blowfish album selling 16 million-plus copies. Furthermore I’m pretty sure it’ll be inquired of us why we chose to ignore the prophet sent to redeem our music-loving souls shortly after the Guy At The Great Mixing Board decided He wouldn’t end it all on a nice round number after all. Won’t you feel a little stupid then? Cracked Rear View, indeed.

Ben Ashley is that voice in the (California) desert. He fronts the Shore, and the guy brings a heavy toolbox to the job. He writes sturdy songs with insistent melodies and puts them across with an angelic voice. The band’s hazy, neo-psychedelic sound is sometimes likened to the Verve, Oasis or Coldplay. But while those bands serve as points of reference, the Shore are as distinct from them as they are similar.

The band’s label, Maverick, dissolved not long after this release. Lack of label support (then lack of a label, come to think of it) probably played a large part in suppressing what might have been a monster record. While we’re kind of on the topic of blame you may consider Madonna, Maverick’s founder, partly responsible for allowing the label to go to hell. But surely she’ll have bigger things to answer for when it’s her turn to follow. And as long as you and I each own a copy of The Shore, at least we can say it wasn’t our fault.

This is one of those records that sounds better with the volume up–loud enough to drown out sounds of wailing and gnashing of teeth.

Listen to: “Hard Road”

Listen to: “Take What’s Mine”

Listen to: “Everything We Are”

Listen to: “It Ain’t Right”

Recommended Albums #3

Casino Twilight Dogs

Youth Group: Casino Twilight Dogs (2007)

…wherein Toby Martin’s beautifully haunting voice wraps around you like a warm purple Snuggie, even on the uptempo numbers.

Their cover of Alphaville’s 1980’s hit “Forever Young” was featured on The O.C. and went to number one (with platinum sales) in their native Australia. But the whole record is an addictive listen.

Listen to: “On a String”

Listen to: “Sorry”

Listen to: “Dead Zoo”

Listen to: “Sicily”

Listen to: “Forever Young”

Listen to: “Start Today Tomorrow”

Recommended Albums #2

Bring the Family

John Hiatt: Bring The Family (1987)

This one’s a classic, a true desert island disc. The same year that Licensed To Ill, The Joshua Tree, Tunnel Of Love and Bad went to number one, this album peaked at #107. I probably didn’t need to tell you who recorded those other albums.  Hiatt is somewhat less of a household name, but you’ve heard his songs. His songwriting credits include Three Dog Night’s “Sure As I’m Sittin’ Here”, Bonnie Raitt’s “Thing Called Love”, Jeff Healey’s “Angel Eyes” and countless others.

Hiatt’s early career was marked by comercially less-than-successful forays into New Wave-influenced rock, something along the lines of Graham Parker. Bring The Family was not only his breakthrough album (in a songwriter/cult artist sort of way) but a complete change of genre as well.

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Musically you can hear a blend of Country, Blues and Gospel that was coming to be known as “Roots Rock”. But in the lyrics you can hear an additional and more unique genre emerging on this album, one which would continue through his next two records, Slow Turning (1988) and Stolen Moments (1990). And one which reflected Hiatt’s new life as he gave up drinking and settled down to raise kids. For lack of a better term, John Hiatt began making “Family Rock”. As the album’s title suggests, it’s Rock music with kids in the back seat, and real life at its heart.

Despite the album’s poor showing on the charts in ’87, it’s stood the test of time as well as the number one albums mentioned above. Its songs continue to pop up on movie soundtracks and in cover versions because when Hiatt put aside second-rate New Wave for first-rate “Family Rock” the songwriting resonated real and the music rang true.

It was also recorded by a crack band: Ry Cooder, Nick Lowe and Jim Keltner backed him here. That, folks, is a real “supergroup”. And Bring The Family is a super album, albeit an under-the-radar one.

Listen to: “Thank You Girl”

Listen to: “Your Dad Did”

Listen to: “Have A Little Faith In Me”

Recommended Albums #1

Collider

Sam Roberts Band: Collider (2011)

Tight band, great lead vocals, nice harmonies, good pop instincts. Music with both a strong backbone and sneaky subtle shadings (woodwinds? yes, please!). This album contains at least half a dozen songs that are worthy of your iPod. It reminds me a little of Tom Petty before he forgot what he was about.

Don’t miss: “Let It In”

 

Listen to: “No Arrows”

 

Listen to: “Without a Map”

 

Listen to: “Streets of Heaven (Promises, Promises)”

 

See also: https://edcyphers.com/2016/11/05/songs-you-may-have-missed-597/

See also: https://edcyphers.com/2024/07/06/songs-you-may-have-missed-746/

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