It remains to be seen (or heard) whether Radio Free Universe will have the staying power or make a similar impact in America as the classic rock bands their reviewers name check.
But in the bass-driven, melodic “She’s High Again” the Canadian rockers have crafted a single that deserves some southern exposure.
Hollywood Vampires: “Welcome to Bushwackers” (2019)
Hollywood Vampires are an Alice Cooper-fronted side project that also features Joe Perry and Johnny Depp.
Their first album’s guest list reads like a debauched Hollywood rock ‘n roll party, which in a sense it was. Paul McCartney, Slash, Joe Walsh, Robby Krieger, Kip Winger, Dave Grohl, Perry Farrell and Brian Johnson all contributed to an album that mainly featured covers from the days when Cooper stalked SoCal with another group of musicians, also dubbed the Hollywood Vampires. That merry band included John Lennon, Harry Nilsson, Keith Moon, Ringo Starr and Mickey Dolenz and their antics were legendary, as you might expect from any merry band containing two drummers.
This Hollywood Vampires is an actual band, and not only do they rock, but they’re aptly named. Alice of course is the king of theatrical rock. And though Johnny Depp might not be a name that would come to mind if you were forming a supergroup, his own theatrical tendencies actually make sense in the context of a band fronted by a guy whose best work always conjured a visual element.
“Welcome to Bushwackers”, from their second release, features yet another guest superstar, Jeff Beck.
Lily Allen can be sassy, bratty, clever and poignant–often all at the same time. “Littlest Things” is a look at how the ordinary moments and mundane memories can take on a rosy hue from the perspective of a relationship’s end:
Sometimes I find myself sittin’ back and reminiscing Especially when I have to watch other people kissin’ And I remember when you started callin’ me your Mrs. All the play fightin’, all the flirtatious disses I’d tell you sad stories about my childhood I don’t know why I trusted you but I knew that I could We’d spend the whole weekend lying in our own dirt I was just so happy in your boxers and your t-shirt
Dreams, dreams Of when we had just started things Dreams of you and me It seems, it seems That I can’t shake those memories I wonder if you have the same dreams too.
The littlest things that take me there I know it sounds lame but its so true I know its not right, but it seems unfair The things are reminding me of you Sometimes I wish we could just pretend Even if for only one weekend So come on, tell me Is this the end?
Drinkin’ tea in bed Watching dvd’s When I discovered all your dirty grotty magazines You’d take me out shopping and all we’d buy is trainers As if we ever needed anything to entertain us The first time that you introduced me to your friends And you could tell that I was nervous, so you held my hand When I was feeling down, you made that face you do No one in the world who could replace you
Dreams, dreams Of when we had just started things Dreams of me and you It seems, it seems That I can’t shake those memories I wonder if you feel the same way too
The littlest things that take me there I know it sounds lame but its so true I know its not right, but it seems unfair The things are reminding me of you Sometimes I wish we could just pretend Even if for only one weekend So come on, tell me Is this the end?
West African singer Angelique Kidjo mixes the influences on 2004’s “Congoleo”, an infectious Afro-Caribbean earworm which features balofon, a West African xylophone-type melodic percussion instrument.
The entire Oyaya! album is an infectious exploration of the cross pollination between Latin and African musical traditions.
Hooks and melodies, the things that distinguish power pop, are the forte of Brendan Benson. If you like music with roots reaching back to the best pop of past decades, you’ll find Benson’s tunes instantly likeable.