Recommended Albums #85

Lindisfarne: Nicely Out of Tune (1970)

While not exactly a household name this side of the Atlantic, Lindisfarne and their fine 1970 debut LP should be on the radar of any fan of folk-influenced rock of the era.

The Newcastle group’s sound evoked The Band at times, but with decidedly English leanings. Or a looser version of early Fairport perhaps. And nicely in tune with the acid folk vibe in late-60’s/early 70’s Britain.

This album peaked at #8 in the UK charts a year after its release, having gotten a jolt when their second album Fog On the Tyne topped the charts in 1971.

But while Tyne was their breakthrough, Nicely Out of Tune is their strongest album.

The pretty, atmospheric “Lady Eleanor” kicks off the album. The song features mandolin accents by Ray Jackson, who also played the instrument on Rod Stewart’s “Maggie May”. The songs ends nicely with a mandolin-and-bass coda.

The simple, haunting beauty of “Winter Song” repays careful attention to the lyrics, while “Turn a Deaf Ear” displays the band’s harmonies and shanty-esque pub singalong side.

“Alan in the River With Flowers” is another pensive ballad reminiscent of David Cousins’ early Strawbs writing. Its title parodies “Lucy in the Sky With Diamonds”.

And “Down” is a jaunty tune with instrumental credit to multi-instrumentalist Ray Jackson for playing “flatulette”, which actually consisted of blowing raspberries.

Like Camel, Amazing Blondel, Fairport Convention and so many other fine English bands of the era, lineup changes took a toll just a few albums into Lindisfarne’s run.

But while the subtle brilliance of Nicely Out of Tune will be lost on many, if you’re among those with an ear for nicely-rendered 70’s British folk rock, this album is–as they like to say across the pond–just the job.

Listen to: “Lady Eleanor”

Listen to “Winter Song”

Listen to “Turn a Deaf Ear”

Listen to “Alan in the River With Flowers”

Listen to “Down”

See also: https://edcyphers.com/2024/08/10/songs-you-may-have-missed-748/

See also: https://edcyphers.com/2022/03/12/video-of-the-week-lindisfarnes-geordie-genius-the-alan-hull-story/

On a Lighter Note…

Quora: What Was the Beatles’ Most Badass Moment?

(via Quora) Answered by Marty Shupert

What was the Beatles’ most badass moment?

There are quite a few. I’ll add a few. Someone told them “Hey Jude” wasn’t going to work because no one would play a song that was longer than 7 minutes. John said, “They will if it’s us.”

Thinking about this, that presser when they came to the U.S. for the very first time… you would think they might be rather timid, shy, worried, not wanting to come off as anything other than 4 wonderful lads. A reporter said something to the effect of, “There’s considerable doubt that you boys can even sing.” Without hesitating a nanosecond, Lennon deadpanned, “We need money first.”

During another presser, a reporter suggested that “Eleanor Rigby” was about a lesbian and “Lady Madonna” was about a prostitute, implying that this was not the type of thing that a pop band should be writing about (impressionable children and all that). Asking, “Why do you want to write about these things?” Paul, this time, deadpanned, “Because we enjoy writing about lesbians and prostitutes.”

Read more: https://www.quora.com/What-was-the-Beatles-most-badass-moment

Video of the Week: Happier

Sometimes it’s about the song. And sometimes it’s about the song’s video. Just try to watch this one without getting a lump in your throat.

Telephone Music Service: Music Streaming’s Pittsburgh Predecessor

Dotti White oversaw Telephone Music Service, which streamed music into Pittsburgh bars long before the days of the Internet.

(via Pittsburgh Magazine) by Zack Furness

Years before anyone dreamed up the Internet, owned smartphones or casually used phrases such as “music platform,” Pittsburgh’s Telephone Music Service pioneered one of the first successful streaming music services in the country.

The service, which dates back decades, operated a network of jukeboxes scattered throughout bars in the city, all of which were connected to a central studio by telephone lines.

You’d stick your money into the machine, pick up a phone attached to the side, and request your songs from one of the operators on the other end. Then, presto! Your selections would come blaring out through the jukebox.

While this may seem like ancient analog history, it was a functional predecessor of every Internet-based service that millions now use to stream audio content on demand. Dotti White may not be familiar with some of these digital brand names or their ubiquitous applications, but, as owner of Telephone Music Service, she was the last person to operate the business they now echo…

Read more: https://www.pittsburghmagazine.com/did-you-know-music-streaming-has-roots-in-pittsburgh/

Video of the Week: Vank Walen – “Your Jumpin’ Heart”

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