20 Weird And Not So Weird Facts About “Weird Al” Yankovic and His Songs

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(via mental floss)

by Roger Cormier

Starting with his first professional recordings and appearances on the Dr. Demento radio show almost 35 years ago, “Weird Al” Yankovic has managed to stay on the pop culture map and change with the times, even while so many of the bands and artists he has parodied lost the spotlight. Here are some facts about “Weird Al” Yankovic and his songs.

1. WEIRD AL’S PARENTS CHOSE THE ACCORDION FOR HIM

The legend—verified by Al Yankovic in the liner notes of his 1994 box set Permanent Record: Al in the Box—reads that on the day before Al turned 7, a door-to-door salesman came through Lynwood, California, to solicit business for a local music school, which offered its pupils a choice between guitar or accordion lessons. Because Frankie Yankovic shared the family’s surname and was known as “America’s Polka King,” Al’s parents chose the squeezebox for their son. Al would gradually learn how to play rock n’ roll on the instrument, mostly from Elton John’s Goodbye Yellow Brick Road album, playing it “over and over” and trying to play along with it. Frankie and Al weren’t actually related, but the two would eventually collaborate, with Al playing on “Who Stole the Kishka?” on Frankie’s Songs of the Polka King, Vol. 1, and Frankie’s “The Tick Tock Polka” played by Al as a lead-in to Ke$ha’s “Tik Tok” on the Alpocalypse track “Polka Face.”

Read more: http://mentalfloss.com/article/57901/20-weird-and-not-so-weird-facts-about-weird-al-yankovic-and-his-songs

Accounting for Taste: The 20 Best-Selling Albums of All Time

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(Source: RIAA)

1. Michael Jackson: Thriller (29 million)

2. Eagles: Their Greatest Hits 1971 – 1975 (29 million copies)

3. Pink Floyd: The Wall (23 million)

4. Billy Joel: Greatest Hits Volume I and II (23 million)

5. Led Zeppelin: Led Zeppelin IV (23 million)

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6. AC/DC: Back in Black (22 million)

7. Garth Brooks: Double Live (21 million)

8. Shania Twain: Come On Over (20 million)

9. Fleetwood Mac: Rumours (20 million)

10. The Beatles: The Beatles (The White Album) (19 million)

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11. Guns N’ Roses: Appetite for Destruction (18 million)

12. Whitney Houston: The Bodyguard OST (17 million)

13. Boston: Boston (17 million)

14. Garth Brooks: No Fences (17 million)

15. The Beatles: The Beatles 1967-1970 (17 million)

16. Metallica: Metallica (16 million)

17. Hootie and the Blowfish: Cracked Rear View (16 million)

18. Eagles: Hotel California (16 million)

19. Elton John: Greatest Hits (16 million)

20. Alanis Morissette: Jagged Little Pill (16 million)

Songs You May Have Missed #553

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Jem: “They” (2003)

From Jem’s debut EP It All Starts Here… and her 2004 full-length Finally Woken. Jem is like a slightly more ambitious and eclectic Dido–which could be a strength or weakness, depending whether you value diversity or so-called “cohesiveness” in an album.

I suppose in the download era it’s irrelevant anyway. “They” is the keeper track.

Songs You May Have Missed #552

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Chromeo: “Hard to Say No” (2014)

Canadian electro-funk duo Chromeo, along with Bruno Mars, Pharrell Williams, Mayer Hawthorne and others, form the vanguard of a retro-funk movement that has the 2010’s sounding remarkably like the early 1980’s. In a good way.

See also: https://edcyphers.com/2012/06/04/songs-you-may-have-missed-119/

Beach Boy Father/Manager Murry Wilson Tries to Ruin Up “Help Me Rhonda” Session

From early 1965. As the Beach Boys record what would become their second #1 hit, a drunken Murry Wilson (father of Brian, Carl and Dennis) offers the kind of unsolicited input that eventually led to the Boys purchasing a fake mixing console that he could man harmlessly.

murryMurry’s “help” mostly seems to take the form of taunts, put-downs, muzzy musical advice, and morale-crushing references to how much better they used to sing–and includes his infamous “I’m a genius too” at 2:09.

Notorious head case Brian comes across as the clear-headed one here. And despite Murry’s request to stop recording, Brian makes sure the tape keeps rolling to preserve their exchange. As a result, we have this audio document of the relationship between the band and the father they ultimately had to fire as manager.

Murry’s presence so marred the recording of  “Rhonda” that the Beach Boys recorded a new version weeks later.

Incidentally, in a vindictive attempt to top his own sons’ act Murry Wilson began managing a cover band called the Renegades, changing their name to the Sunrays. They hit #51 with “I Live for the Sun”.

Songs You May Have Missed #551

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Nouvelle Vague: “In a Manner of Speaking” (2004)

French production team Nouvelle Vague’s moniker is well-chosen: it translates into English as “new wave” and means “bossa nova” in Portuguese. And how handy for them, specializing as they do in bringing a beguiling Brazilian sensibility to MTV-chic artists such as Joy Division, Modern English, Echo and the Bunnymen, New Order and the like.

It makes one ponder what a timesaver it’d be if other artists employed the helpful tact of couching their mission statement in their band name.

“The Alan Parsons Project” could have been called “Vangelis with Lyrics”. “Electric Light Orchestra” might have been “Diet Sgt. Pepper”.

Young fans of southern rock (if there were such thing) could have been spared much confusion if “Lynyrd Skynyrd” began calling themselves “A Lynyrd Skynyrd Tribute” after 1977. And how much of your download budget could’ve been better utilized had “Mumford & Sons” given fair warning and called themselves “The Bad Avett Brothers”? Perhaps “The Trans-Siberian Orchestra” might have chosen a name like “Nobody Cared About Us When We Were Savatage, But Hey–Christmas!”

I suppose that last one might not have fit on the music hall marquee.

Anyway, if you’re into Bossa Nova covers of the Clash–or need some ironic dinner music for your next chill party–check out the New Wave Bossa Nova of Nouvelle Vague.

See also: https://edcyphers.com/2017/01/25/songs-you-may-have-missed-608/

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