Songs You May Have Missed #533

titus

Titus Andronicus: “Dimed Out” (2015)

From the upcoming third album–a double CD/triple LP conceptual rock opera, no less–by the punk-ish Jersey indie rockers.

titus photoThe album and its artwork are inspired by the 1594 Shakespeare play of the same name. The song’s title is slang for turning the knob on an amp or instrument up to the max, or ten (unless you’re Spinal Tap). And the lyric is one fuel-injected, rapturous ejaculation of punk-pop glory.

Check it out on YouTube:

The Joy of the Bee Gees–BBC Full HD Documentary 2014

Video of the Week: Dawes–All Your Favorite Bands

“I Love Having Written, But I Hate Writing”–Billy Joel says “Go Ahead With Your Own Life, Leave Me Alone” to Critics, Columbia Records and Sir Elton

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(via New York Times Magazine)

Billy Joel hasn’t put out an album of new songs in decades, but the last few years have brought about a burnishing of his musical legacy. Most recently, he stole the show at the 12-12-12 Sandy relief concert, no trifling feat considering he shared the stage with the Who, the Rolling Stones and Paul McCartney. His set, characterized by remarkably robust vocals and a tight backing band, allowed songs like “Only the Good Die Young” and “You May Be Right” to be considered anew; the passage of time has cleansed the songs of any of the annoyance-factor wrought by FM overplay. A generation who never appreciated him, who judged him uncool, are now at the age at which they might actually suffer one of those heart attack-ack-ack-ack-ack-acks of “Movin’ Out (Anthony’s Song).” Even the haters, grown up now, would have a hard time continuing to begrudge Joel his mastery of songwriting…

Read more: http://mobile.nytimes.com/2013/05/26/magazine/billy-joel-on-not-working-and-not-giving-up-drinking.html

Video of the Week: Axis of Awesome–Four Chords

Songs You May Have Missed #532

bland

Bobby Bland: “Ain’t No Love in the Heart of the City” (1974)

If ever an artist should have been forcefully prevented from sampling a song of a previous era, that artist would be Jay-Z, whose unholy appropriation of Bobby Bland’s soulful ’74 ballad checks most every box on the offensive lyric checklist.

The real crime here, in addition to that of artistically spinning silk thread somehow into a burlap dress, is that young fans of the Kanye Wests and Jay-Z’s of the world are typically uninformed as to the true source of inspiration, and come away with the impression that their favorite rap artist has created, when he has merely synthesized.

It is not true to say that all the best music was created in decades past. But the rap genre seems to be making the most convincing arguments that it was.

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