“Wagon Wheel”: Raiding Bob Dylan’s Wastebasket

old crow rucker

“Wagon Wheel” is a song with a very interesting story. It doesn’t sound like a typical 21st century country song. But it’s the kind of song 21st century country artists love to cover because it’s the kind modern country songwriters have so much trouble coming up with. Which is to say, it comes from a more instinctive place, taking the express track from the writer’s gut without that stop at the brain for mental market-testing.

whiskey river wagon wheel

“Wagon Wheel” sounds like the work of one of the great folk songwriters of the 20th century, say a Woody Guthrie or a Stephen Foster…because it is in fact the work of one of the great folk songwriters of the 20th century–at least in part. I direct you to Wikipedia for the story:

(The following reprinted from Wikipedia)

“Wagon Wheel” is a song originally sketched by Bob Dylan and later completed by Old Crow Medicine Show. Old Crow Medicine Show’s version was certified gold by the Recording Industry Association of America in November 2011.

“Wagon Wheel” is composed of two different parts. The chorus and melody for the song comes from a demo recorded by Bob Dylan during the Pat Garrett and Billy the Kid sessions. Although never officially released, the Dylan song was released on a bootleg and is usually named after the chorus and its refrain of “Rock Me Mama.” Although Dylan left the song an unfinished sketch, Ketch Secor of Old Crow Medicine Show wrote verses for the song around Dylan’s original chorus. Secor’s additional lyrics transformed “Rock Me Mama” into “Wagon Wheel.” Secor has stated the song is partially autobiographical. The song has become extremely popular since its inclusion on Old Crow Medicine Show’s major label debut, O.C.M.S. in 2004, although the song appeared in earlier form on the now out of print “Troubles Up and Down the Road” EP in 2001. Dylan’s song is often credited to “A. Crudup.”, and the official publishing information is Dylan/Secor.

Old Crow Medicine Show: “Wagon Wheel” (2004)

Dan Milliken, reviewing the song for Country Universe, gave it an A+ rating, calling it “one of country music’s all-time great sing-alongs”.

The song has since been covered by numerous artists, including: Darius Rucker, Chad Brownlee, The Menzingers, Nash Street, Great American Taxi, Against Me!, Stephen Kellogg and the Sixers, Chris Pureka, David McMillin, Jeremy McComb, Matt Andersen, Mumford & Sons, Bodega, Little Feat, Donegal X-Press, Pat Buzzard of Saving Jane, Little Big Town, and Samjack Boys. (Note: there are lots more versions besides.)

Darius Rucker joined Old Crow Medicine Show at the Grand Ole Opry July 6, 2012, “for a special rendition of ‘Wagon Wheel.’” The fans “went crazy over Rucker’s cover of the Old Crow Medicine Show hit,” setting the stage for his tweeted announcement: “Secret out after @opry perf. I recorded a version of ‘Wagon Wheel’ for my new record & @ladyantebellum sings on track.” The new album, True Believers, is his third solo project on Capitol Records. Rucker’s cover is the album’s second single.

Darius Rucker: “Wagon Wheel” (2012)

The song did not at first appeal to Rucker. “Somebody had played ‘Wagon Wheel’ for me years ago,” he says. “It was one of those things that I didn’t really get.” When the faculty band from his daughter’s high school performed it, though, it had a different effect. Relating the story . .

“So, I’m at my daughter’s high school talent show, and I’m sitting in the audience with my family. We were watching my daughter, and the faculty band gets up. It’s just the faculty from her school, and they play ‘Wagon Wheel.’ I’m sitting in the audience, and they get to the middle of the chorus, and I turned to my wife, and I go, ‘I’ve got to cut this song.’ I’m serious. This all happened in three-and-a-half minutes, four minutes, while they’re playing the song.”

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Songs You May Have Missed #333

fyfe

Fyfe Dangerfield: “When You Walk in the Room” (2009)

To quote a phrase I’ve uttered many times: God save us from people who like one kind of music.

It’s my firm and long-held belief that, since music is effectively the sound of our feelings, we ought to collect, and learn to appreciate, music as diverse as those feelings within us–to serve and accompany our many emotions and moods.

By that statement I don’t mean that we must become fans of jazz if we hate jazz, or learn to love the blues if we have an aversion to it. But we each ought to have somewhere to turn for contemplative music, joyful music, defiant and angry music, sad music, etc.–in whatever forms, styles or genres suit us.

Of course, being a product of particular and distinct influences like anyone else, I have my go-to music. Like comfort food for my ears, it’s the stuff I return to either to zone out and de-stress, or to re-center myself as a fan of music and remind myself what it means to me–or for many other reasons. Other music is more like a place I visit than the one I call home. It possesses a novelty, not in its style or sound so much as in the state of mind it induces or transmits.

Perhaps it’s because by personality I seem to like clearly-defined order and function, but my musical home base tends to be the well-constructed, the artfully-arranged, the tastefully rendered and the sophisticated.

And when I feel like stepping away from myself–venturing from my center, as it were–my ears might lead me to the land of lark, abandon and carefree expression.

That’s why when I first heard this song it didn’t really resonate with me. I wasn’t in the correct frame of mind for it to do so. On another day I heard it again and liked it–a lot. Quite literally, I was feeling it.

Fyfe Dangerfield, for this three and one-half minute span anyway, just doesn’t care. This is an exuberant expression of joy that overrides considerations of, say, singing on key. Exclamation marks mean more here than lyrics. The shout means more than what note, or even what word is shouted.

For me, it’s all wrong.

But it’s alright.

See also: https://edcyphers.com/2013/03/30/songs-you-may-have-missed-377/

Songs You May Have Missed #332

indian girl

The Hollies: “Indian Girl” (1972)

While this song’s lyric wouldn’t pass the political correctness test today, its story of a young man and the Indian maiden he wishes to marry hits on a familiar pop music theme: young, determined love. The suitor in this case can’t afford the ten hides and twenty horses that tribal law has set as the price for marrying the girl he loves, so he’s asking her to run off with him instead.

“Indian Girl” was the non-LP B-side to the Hollies’ 1972 “Magic Woman Touch” single.

See also: https://edcyphers.com/2016/03/23/songs-you-may-have-missed-578/

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