Director Rob Reiner Gives Hilarious Details on ‘Spinal Tap II’ Plot

(via Q104.3 FM)

‘Spinal Tap II’ began production last spring, and director Rob Reiner has revealed what the fictional band’s members have been up to in the 40 years since ‘This Is Spinal Tap’ came out.

“Nigel [Tufnel, played by Christopher Guest] has been running a cheese and guitar shop in Berwick-upon-Tweed. He’s also been performing with a local folk band in the village that play penny whistle and mandolin, and he plays electric guitar with them. We show a little clip of that,” Reiner explained in a recent interview with Empire. “David St. Hubbins [played by Michael McKean] has been living in Morro Bay in California, and he’s been writing music for podcasts, particularly this one true-crime podcast called ‘The Trouble With Murder.’ He also writes the music that you hear when you’re on hold on the phone.”

“Derek [Smalls, played by Harry Shearer] is living in London and is now the curator of the New Museum of Glue. He’s curated glue from every country in the world – the whole history of glue – and he shows me around,” Reiner added, “He’s also been performing with a philharmonic orchestra, and he’s written this kind of symphony about the fact that the devil wears a bad hair piece. It’s called ‘Hell Toupée.’”

The idea for the sequel came when Tony Hendra died in 2021. Hendra played ‘Spinal Tap’s manager Ian Faith in the original film.

“[W]e came up with this idea that Ian Faith had willed his daughter, Hope, this contract that called for one more performance,” he said. “She thinks initially, ‘Well, this is not really worth anything…’ But then some big music star, while screwing around at a sound check, is filmed on an iPhone singing a Tap song, and it goes wild on social media. All of a sudden, the contract is worth something.”

In addition to the surviving members of the original cast, ‘Spinal Tap II’ also features cameos from Elton John, Paul McCartney and others.

Video of the Week: How Paul Simon Wrote “The Boxer”

Video of the Week: Backstage with Bob Dylan

He’s Just Mad About What?!

Hearing Donovan’s “Mellow Yellow” recently in a department store, it occurred to me that had he not showed a measure of discretion and a degree of ambiguity in the lyric…

…if indeed he’d spelled it all out in the 2nd verse like he later did in live performances…

…the song would probably be cancelled by now.

Quite rightly!

The Most Beautiful Christmas Carol I’ve Ever Heard…

…is an ancient sacred carol from Brittany (Celtic northern France). The language is Breton, not French, although the beauty of the music transcends language. The refrain translates as:

Descend from the Heavens, joyful spirits/Come once again to sing praise to Jesus/Proclaim his goodness in hymns of glory/Peace has just arrived on earth

I don’t know anything more about the song or the recording, and I don’t want to know. I don’t want to watch a YouTube video to see what the singers look like.

This song carved out and occupies an inviolate niche in my mind, a place of almost unreal beauty. It stirs me in a way no other recording does, and any further information I could learn about it would only break the spell.

I can find five minutes of perfect joy inside this song.

Recommended Albums #91

Genesis: Foxtrot (1972)

On the band’s fourth album, Genesis began to synthesize (or mellotron at times) a balance between credible rock and the theatrical whimsy that had dominated their three previous albums.

It’s art rock that doesn’t sacrifice the art or the rock.

“Time Table” muses on the passage of time with medieval imagery and a nostalgia for times gone by–or perhaps is a lamentation of the inevitable repetition of events throughout history:

A carved oak table tells a tale
Of times when kings and queens sipped wine from goblets gold
And the brave would lead their ladies from out of the room
To arbours cool
A time of valour and legends born
A time when honour meant much more to a man than life
And the days knew only strife to tell right from wrong
Through lance and sword

Why, why can we never be sure till we die
Or have killed for an answer?
Why, why do we suffer each race to believe
That no race has been grander?

It seems because through time and space
Though names may change each face retains the mask it wore

“Can-Utility and the Coastliners” truly shows off the ensemble talents of a great band, with the soft textures of Steve Hackett’s guitar giving way to Tony Banks’ brilliant layered mellotron and organ and Phil Collins’ powerhouse drumming. Several passages and time changes later, it feels like you’ve heard an epic prog song in less than six minutes.

On the classically-inspired “Horizons”, Hackett manages what Steve Howe didn’t on The Yes Album and Fragile; that is, he contributes an instrumental that doesn’t disrupt the feel of the album overall.

For those less familiar with the Gabriel-fronted version of Genesis, uh, yeah it’s a long way from the artsy, eccentric prog of the early days to the “I Can’t Dance” populist drivel of the Collins-fronted incarnation of the band.

A long way down.

Listen to: “Time Table”

Listen to: “Can-Utility and the Coastliners”

Listen to: “Horizons”

See also: https://edcyphers.com/2012/03/19/songs-you-may-have-missed-55/

See also: Songs You May Have Missed #861 | Every Moment Has A Song

Previous Older Entries Next Newer Entries