Songs You May Have Missed #194

graffiti

Graffiti6: “Annie You Save Me” (2012)

British duo Graffiti6, comprised of singer/songwriter Jamie Scott and DJ/producer TommyD, make unclassifiable classic soul/rock/funk/folk inflected melodic pop that’s great in turns for dancing, romancing and unpantsing. Or to cook breakfast to. It’s uplifting stuff.

See also: Songs You May Have Missed #675 | Every Moment Has A Song (edcyphers.com)

Songs You May Have Missed #193

badfinger

Badfinger: “Meanwhile Back At the Ranch/Should I Smoke” (1974)

And speaking of Badfinger…

Sooo many stories associated with this song. First, it’s from an album, Wish You Were Here, from which promotion was withdrawn by Warner Bros. due to money that was stolen by Badfinger’s manager, Stan Polley. For years the album was unavailable, even into the CD era, and the music never got the recognition due it. It was just one more tough break for a band who had more than anyone, leading eventually to the suicides of two of its members. The story of this band is one of the most heartbreaking in all of pop music.

The song itself was created by stitching together parts of songs by Pete Ham (“Meanwhile…”) and Joey Molland (“Should I Smoke”), a tactic that had previously proven successful, to say the least, when Ham had written the verses and Molland the chorus of what would be a monster hit by Harry Nilsson, “Without You”.

Ham’s lyric was inspired by an affair he was having with the wife of a band roadie, and the condemnation he received for it.

Songs You May Have Missed #192

stories

Stories: “Love is in Motion” (1973)

Stories had a number one hit with “Brother Louie” in 1973, a song that you probably either remember or you don’t know.

You see, there are two kinds of 70’s songs: there’s the “Take it Easy” kind of song, which never left radio playlists and resultingly many are sick to death of. Then there’s the “Baby Blue” kind, which were on the radio airways then but faded from collective memory. (For more such examples, search “Forgotten Hits” on this site for dozens of memory triggers)

“Brother Louie” was a ubiquitous four-minute piece of the soundtrack of the Summer of ’73. Kind of surprising then that the band responsible for it didn’t issue a follow-up single from the album that spawned it. And in truth, there were no more “Brother Louies” on the record, but there was this gentle little ditty that wouldn’t sound out of place on one of McCartney’s first couple solo albums–or one of Badfinger’s from the same era.

New Book Reveals John Lennon’s Bitterness Toward George Martin As Well as McCartney

New book The John Lennon Letters has some interesting revelations. Most surprising to me is that Lennon and George Martin disputed who deserved more “credit” for “Revolution 9”.

Read the article at Yahoo:

http://music.yahoo.com/blogs/stop-the-presses/john-lennon-letters-reveal-bitterness-toward-george-martin-192300104.html

Recommended Albums #26

Edson: Every Day, Every Second (2003)

Swede Pelle Carlberg named his Indie pop band after soccer great Edson Arantes do Nascimento, better known as Pelé. Don’t ask me why–probably just for kicks.

The band’s Every Day, Every Second is full of the kinds of melodies that you may wake up still hearing after listening the night before. It’s hauntingly tuneful stuff.

Pelle and company remind me of the Decemberists in several ways: first, Carlberg’s dialect and voice have a distinctiveness that I imagine could put some off, while endearing others. There’s also something in the imperfection of his reaching for the high notes and wavering just a bit here and there–I don’t think it’s meant to sound perfect, only to put across the song. And the voice certainly does that.

Also, there’s a European-ness just here and there in the melodies and instrumentation that the Decemberists share (despite being American).

Give this one three listens and it’ll have you. And if you like it, check out some of Pelle Carlberg’s solo stuff too:

See also: https://edcyphers.com/2012/02/27/songs-you-may-have-missed-29/

See also: https://edcyphers.com/2013/03/01/songs-you-may-have-missed-345/

See also: https://edcyphers.com/2025/12/22/songs-you-may-have-missed-808/

Listen to: “And Then She Flung Me the Truth”

Listen to: “One Last Song About You Know What”

Listen to: “Up With the Lark”

Listen to: “Minus Minus Equals Plus”

Listen to: “Underdog–Overdog”

Real Life Spinal Tap: Bands Reveal Their Most Tap-Like Moments

spinal tap

(Article reprinted from Guitar World. Orginally printed July 2005)

Ozzy Osbourne, Billy Gibbons, Angus Young and more share their most insane rock-and-roll stories ever!

OZZY OSBOURNE

After watching the “Stonehenge” scene in Spinal Tap, with the midgets, and seeing Alice Cooper incorporate a hanging act into his show, I thought, Why not fake the execution of a midget onstage? The one midget actor who could free himself for an eight-month tour turned out to be an alcoholic. He showed up late; he was drunk… It got to me after a while. So one night when he wanted to get on the tour bus, I threw him into the luggage compartment. Somebody grabbed me and said, “What you’re doing is not only illegal but inhumane!” I lost it. I yelled: “He’s my fuckin’ midget and I’ll fuckin’ do what I want with him!” There was a silence, and then a small voice emerged from the luggage compartment: “He’s right: I’m his midget and he can do what he wants with me.”

Black Sabbath guitarist Tony Iommi was a consummate practical joker, though not a very subtle one. One time, he shat in the dip sauce at some record company event. It was interesting standing there and watching the executives indulge.

In my wild years, my wife Sharon used to accompany me on tour to prevent me from committing adultery. Some nights, she waited up for me in our hotel room. One time, I was so drunk I’d forgotten all about her presence, and when a lovely Japanese girl chatted me up, I thought: Fuck me! Sex with a gorgeous Eastern girl is one of my big fantasies, so I’m not letting this one go! When we got into the hotel room, Sharon wasted no time: she decked the Japanese girl with one right hook. In the morning, I woke up alone in the bed, a bunch of Alcoholics Anonymous brochures beside me.

BILLY GIBBONS of ZZ Top

Somehow I got it in my head that it would be a good idea to get a huge stage set and “take Texas to the people.” We had a stage in the shape of the state of Texas, and a number of rattlesnakes, vultures and even a couple of buffalo onstage. It was authentic! It was disastrous. At first, everything went well: the rattlers behaved, the birds seemed to stand the noise and the buffalo grazed quietly—until one night one buffalo decided he’d had enough. He rammed two glass cages containing the snakes. Suddenly we had a dozen rattlers crawling around onstage. Our drummer suggested we play “something quiet, to soothe them”—a stupid idea, ’cause most snakes are deaf. We didn’t even attempt it. We just fled and left the roadies to minimize the damage.

ANGUS YOUNG of AC/DC

Many years ago, when Bon [Scott] was our singer, our manager had “a brilliant idea” to hire actors who would impersonate police officers and “arrest” us onstage. Unfortunately, this was carried out at a gig in Sydney [Australia], in front of hardcore AC/DC fans that started rioting as soon as “the police” came onstage. Minutes later, the real police force came in to control the riots. Unfortunately, we couldn’t distinguish the real cops from the fake ones. Bon thought he was hitting the fake cops, but he was messing with the real ones. One of the cops gave orders to his “colleagues,” who were, in reality, the actors! I just stood there laughing my head off, which the real cops didn’t appreciate. In short: total chaos ensued.

PETE TOWNSHEND of the Who

Our first drummer, Keith Moon, God rest his soul, was Spinal Tap incarnate. Most people know the story of how he drove his Rolls-Royce into a swimming pool. But on another occasion, Keith drove his car through the glass doors of a hotel and all the way up to the reception desk, got out and asked for the key to his room, all without blinking an eyelid. One time, on a plane, he poured the contents of a soup can into a paper bag, pretended to be sick in the bag and then to drink his own “vomit.” All of this in first class. The businessmen didn’t know what hit ’em.

RON WOOD of the Rolling Stones

I have fond memories of the night Mick Jagger and I went to see Marvin Gaye sing in New York. After the gig, we went to Marvin’s hotel suite, and Mick tried to impress him with his knowledge of soul music and the like. At least, that’s what Mick thought he was doing. After about an hour of this, our host said, “That’s great, but why don’t you tell that to Marvin? He’ll be here shortly.” Mick had been talking to Marvin’s brother, who wore the same kind of knitted wool cap Marvin wore.

Another fine moment was in the early Eighties. We were doing drugs in the dressing room when suddenly the tour manager stuck his head around the door and said, “The police are here!” Holy shit! We all panicked and threw our drugs in the toilet. And then Sting, Andy Summers and Stewart Copeland walked in.

TOMMY LEE of Mötley Crüe

Mötley Crüe got kicked out of several hotels for rowdy behavior. We usually deserved it, but there was one time I thought we were unjustifiably thrown out of a place. To get back at them, I put a turd on a room-service tray and placed it in a ventilator shaft, then turned the heat up. I imagine it took them a while before they’d discovered the source of that lingering smell.

KEITH RICHARDS of the Rolling Stones

When I recorded Talk Is Cheap [Richards’ 1988 solo debut], we shot a video in Los Angeles. The script called for a couple of tramps with dogs. The director felt a tramp should have a dog that was not only ugly or dirty but also weird or, at the very least, disfigured. His assistant suggested a lame dog. They called up some agency and the word came back: “We can get you a lame dog by noon. Which leg would you want missing?” These people were prepared to maim a dog for the sake of a fuckin’ video. I tell you, man, L.A. is one sick town.

 

spinal tap

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