Oh, Oh, Telephone Line–How ELO’s First Album was Given its Title by Mistake

no answer

(Reprinted from Snopes.com)

Claim: A record label inadvertently mistitled the U.S. version of the Electric Light Orchestra’s debut album because of a misunderstood phone message.

Status: True

Origins: In the early 1970’s Jeff Lynne, Roy Wood and Bev Bevan, members of a group called The Move, developed a concept for fusing rock and classical music. All three continued to bide their time recording and performing as The Move while they assembled the collection of classical instrumentalists they needed to flesh out their “Electric Light Orchestra”. Meanwhile, their manager, Don Arden, managed to line up a recording contract for the nascent group with Harvest Records (UK) and United Artists (U.S.)

After some delay while The Move wound down, the Electric Light Orchestra finally recorded their first album, which was released in the UK by Harvest in December 1971 and (in line with common practice for debut LPs by new groups) assigned the eponymous title of Electric Light Orchestra. When the same album was released in America by United Artists three months later, however, it bore a completely different title: No Answer.

Why the switch?

As groups such as the Beatles had learned years earlier, American record companies had no compunctions about retitling (and even rearranging) the LPs of British groups to suit their notions of what would sell in the American record market. But what possessed United Artists to reject a straightforward album title in favor of one that seemingly made no sense? After all, No Answer wasn’t the name of a song on the LP, the phrase wasn’t found in any of the album’s lyrics, and it certainly didn’t signify anything of importance to the American record-buying public.

The answer is that the title was an accident, the result of a misunderstood phone communication.

The legend differs slightly in some of the details from telling to telling, but the basic premise is that when United Artists was preparing to schedule Electric Light Orchestra’s debut album for release in the U.S. someone from United Artists (either an executive or his secretary) placed a call to someone connected with ELO (either an executive at Harvest Records or the group’s manager) to find out, among other things, what the LP should be titled. The caller, having failed to reach the desired party, jotted down the notation “no answer”, a phrase which was mistaken for an album title and assigned to the U.S. version of the group’s debut record.

This all sounds like a story a PR person might have concocted to garner some free publicity for a new band, but no one has ever offered a plausible alternative explanation for the origins of the No Answer album title, and Bev Bevan, ELO’s drummer, affirms that the familiar account is true:

Bevan confirms the story that the album was called No Answer in America due to a misunderstanding. The American record company phoned to discuss the title with ELO manager Don Arden, but his secretary couldn’t contact him and replied with the two words that became immortalized on the album sleeves.

“It was quite a good title, though, wasn’t it?” says Bevan, the band’s drummer and percussionist.

In an odd coincidence, a similar mix-up at about the same time resulted in a Byrds LP mistakenly being released with a title of Untitled.

Songs You May Have Missed #331

ritterJosh Ritter: “Love is Making its Way Back Home” (2012)

By somewhat fluky circumstances related to touring Ireland with the Frames, Idaho-born Josh Ritter broke through on radio and as a sold-out touring act in that country while still pretty much an unknown here at home. In fact at one point there was a tribute band there named Cork who played only Josh Ritter songs.

Years later his following is still a modest one, but devoted.

The hopeful sentiment of “Love is Making its Way Back Home” is an appropriate one for Valentines everywhere. And the video, produced by Prominent Figures, took a grueling two months to complete and used 12,000 pieces of construction paper–and zero special effects.

See also: https://edcyphers.com/2015/12/09/songs-you-may-have-missed-560/

Songs You May Have Missed #330

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David Wilcox: “Start With the Ending” (Live) (2002)

The wit and wisdom of David Wilcox are on full display as he explains why the secret to a successful relationship just might be…ending it.

See also: https://edcyphers.com/2013/11/10/songs-you-may-have-missed-501/

See also: https://edcyphers.com/2015/03/27/songs-you-may-have-missed-527/

Recommended Albums #38

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Strawbs: Bursting at the Seams (1973)

I’ll turn this one over to an Amazon.com customer review who identifies himself as Lucius, with whose appraisal of Strawbs, one of my favorite three artists of all time, I heartily concur:

“…Strawbs are the best unknown “English Progressive” band of the seventies (aka, the Strawberry Hill Boys in the 1960’s). Of course, Strawbs never stood a chance, even in the wake of “progressive” bands such as Emerson, Lake and Palmer, Jethro Tull, and Yes (each of whom The New York Times despised back in the early ’70’s).

Because rock critcs took as a given self-evident gospel truth that the wellspring of Rock and Roll was the Blues, choirboy music never stood a chance in America. And so Dave Cousins, folkie choirboy lover of orchestral rock and instrumental virtuosity, was just rendered irrelevant for one reason or another – too “intense”, too “conceptual”, too British? Too good, I’d say.

The only song of the Strawbs I remember on the radio was “Lay Down”, which hooked me; it was the best song being aired at the time (though I suspect I heard “Part of the Union” at some point prior to that). But with Disco and the Eagles and the New Wave/Punk thing just around the corner, where were the Strawbs going to find a place? Alas.

And just as Ian Anderson has been making incredible music for 30 plus years without a word of mainstream “critical” praise, just so Dave Cousins is anonymous here in the USofA. Go figure.”

By Lucius

_________________________

Any analysis of this band I attempt is bound to end in unabashed fanspeak; so it is with the things I love too much…

Bursting At The Seams is the ideal place to start in getting your ears around the Strawbs catalog. The fourth of their seven-LP output while on the A&M label, it marks a transitional period between the more pastoral/acoustic earlier work and the “proggier”, more electric later output.

strawbs 1

But despite being plagued with the lineup changes that caused the stylistic musical shifts, Strawbs weren’t in the business of mediocrity and Bursting At The Seams is no mere “transitional album” in their catalog. Rather it is a high-water mark, along with Grave New World which preceded it and Hero And Heroine which followed–their period of greatest musical fertility and lyrical depth. New members Lambert, Hudson and Ford brought along material strong enough to stand beside–and even complement–the work of one of the most gifted writers in all of rock, David Cousins, himself at the peak of his powers. No one in all of British folk/rock or prog rock or whatever genre you place this genre-defying band had a greater gift for placing the introspective alongside the anthemic, the mystical in the company of the visceral. For a few years during this period, Strawbs (not THE Strawbs, as they are frequently misnamed) made music of a quality rarely seen before or since–a music that didn’t sacrifice beauty for power, or power for beauty.

lay down

Many, many times in the years when I was discovering this music I imagined I felt the same thing Dave Cousins experienced when he wrote the song “Stormy Down” (which appears on this album). He was “high on Stormy Down thinking of my friends below…but they had gone some other way, they did not want to know…” It would have been utterly futile explaining to my 14-year-old peers the unique beauty I found in this music. Even friends who were into progressive rock seldom scaled ecstatic heights such as these. For me it was–and is–to quote Cousins again, “a glimpse of heaven”. My friends at the time, for whom musical quality was measured quantitatively (by the number of decibels) had “gone some other way”.

But speaking for those of us who DID “want to know”, I’m thankful someone was true enough to himself to write music about the interior life, for those of us just uncool enough in our youth to care about such things. Thank goodness for songwriters like Mr. Cousins whose songs were built of such solid stuff that to this day and even in all-acoustic settings (as most Strawbs concerts now are) they bring more force and meaning to bear than so many artists of wider acclaim. And thank heavens for songwriters, Cousins being a prime example, who show us rock can be so much greater and more than butt-shaking, ear-shattering party soundtrack music.

See also: https://edcyphers.com/2012/05/11/songs-you-may-have-missed-100/

See also: https://edcyphers.com/2013/09/28/songs-you-may-have-missed-481/

Don’t miss: “Lay Down”

Listen to: “Tears and Pavan”

Listen to: “Stormy Down”

Listen to: “The Winter and the Summer”

Rare Photo: Grammy Committee Vote

International Clown Convention in Mexico City

“I know Fun. released their first album back in 2009 but really, who’s gonna know that? I say we give ’em Best New Artist and call it a day. I gotta pee…”

Songs You May Have Missed #329

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Blackfield: “Blackfield” (2005)

Moody, brooding, haunting, lush, rich, gorgeous…it’s easy to apply adjectives to the music of Steven Wilson and Aviv Geffen. What’s difficult is pinning down the precise nature of the magic in the music they make together–what makes it so singular.

This is the song “Blackfield” from the album of the same name, by the duo of the same name. If you’re looking for a comparison, all I can come up with is Dark Side of the Moon. Though it’s an imperfect match, if you like that album there’s a good chance you’ll hear the beauty in what these guys do as well. This would sit atop my list of contemporary rock to recommend to fans of classic rock.

See also: https://edcyphers.com/2012/11/14/songs-you-may-have-missed-236/

See also: https://edcyphers.com/2013/10/04/songs-you-may-have-missed-483/

See also: https://edcyphers.com/2012/10/01/recommended-albums-24/

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