The Gallagher Who Was Actually a Musical Genius

Rory Gallagher in 1972 – Getty

(via The Telegraph) by Neil McCormick

Long before Noel and Liam Gallagher of Oasis sent the nation into a Britpop frenzy, there was only one rock and roll Gallagher that mattered. His name was Rory, and nearly 30 years after his untimely death, there’s plenty who would consider the Irish guitar slinger the only Gallagher worthy of being acclaimed a genuine musical genius.

On October 17, Bonhams auction house in London will host a sale of Rory Gallagher’s guitar collection, along with amps and accessories from his career. Amongst the items is Rory’s original 1961 Fender Stratocaster, bought second hand from Crowley’s Music Store in Cork in 1963. Gallagher was just 15 but already a professional working musician, playing covers on the Irish showband circuit. He paid £100 on credit for the guitar, persuading his parents that it would ultimately save money because he could play rhythm and lead at the same time, so wouldn’t need a second guitarist in his band. Today, it’s value is estimated at up to a million pounds.

It is a beautiful, battered looking instrument that Gallagher played all his life, as he rose to become Ireland’s first rock star. It is the instrument he would have been playing when his original power trio Taste supported Cream for their final concert at the Royal Albert Hall in 1968. Eric Clapton later credited Rory for “getting me back into the blues.” Before he formed Queen, Brian May was a huge Gallagher fan, attending many shows at the Marquee in London. “He could make his guitar do anything,” according to May. “It seemed to be magic. I remember looking at his battered Stratocaster thinking ‘how does that come out of there?’”

Read more: https://www.msn.com/en-us/music/news/the-gallagher-who-was-actually-a-musical-genius/ar-AA1pYIJn?ocid=entnewsntp&pc=DCTS&cvid=8de382b08bd345ffb76534a8ad13cf1e&ei=50#

Quora: What killed rock music?

(via Quora) Answered by Sean Morrison

What killed rock music?

Success, basically.

For a short period, in the late sixties and early seventies, the recording industry lost control of the music for the first time in history. They literally had NO IDEA what would or wouldn’t sell, and they were dealing with musicians who hadn’t come up through the club circuit, so they didn’t follow the script of previous generations of musicians.

Also, a lot of them wrote their own songs! The Beatles opened the doors to bands and performers having the ability (if they were savvy enough) to control their money, though most got outfoxed on that score.

But for a brief period, performers had a level of power and control that had never existed before. The recording industry was literally throwing money at EVERYBODY and letting them do whatever they wanted, because they had no idea what would or wouldn’t succeed.

So you had an explosion of unfettered creativity. Helped that there was probably the greatest collection of talent that had ever existed in popular music just doing whatever the hell they wanted.

But the first generation got rich, got lazy, got egotistical, and gradually started either running out of ideas or actually dying.

Meanwhile, the industry was starting to figure things out. And you started to see, in the late 70s and early 80s, the evolution of bands specifically designed to fit into the industry’s boxes. The whole concept of “commercial” rock became first a possibility, then a standard. New bands were willing to play the game according to the industry’s rules, and the older acts started opting for commercial success over music as an art form.

And let’s face it…after a decade, the fans started growing up and getting more boring. As Greg Allman of the Allman brothers put it, the same people who had dropped acid in the 60s and wanted an hour of Whipping Post all started doing cocaine in the 80s and wanted all the songs under five minutes!

And once the industry sussed it out, every attempt to bring rock back to its radical roots was quickly quashed and made “acceptable.” So punk quickly went from Television to Blondie. “Alternative” quickly found IT’S way “commercially viable” and so on.

So it goes. At least SOME of us got to live through it and watch it die. Those were good times.

The Legacy of Disco, Decades Later 

(via npr, wamu, 1A)

When you think of “disco,” what comes to mind? Is it the music? Is it the lit-up dance floor? The outfits? Does the word “Revolution” ever come to mind? 

For many, disco music transcended the dance floors of trendy clubs and became the genre of self-expression. But what goes up, must come down. The backlash to the barrage of disco from the music industry forced the genre to evolve. But decades later, new audiences are still reaching to disco for inspiration.

The new PBS docuseries, “Disco: Soundtrack of a Revolution,” airs tomorrow. It dives into the history of the genre and explores the legacy still felt decades later.

Why is the disco era so often dismissed as hedonistic and frivolous, when the genre was embraced by so many?

Bob Dylan Albums Ranked Worst to Best

(via Ultimate Classic Rock) by Michael Gallucci

Not so surprisingly, Bob Dylan’s recording career has lots of ups and downs.

That’s bound to happen when you stick around for more than 50 years and release three dozen albums during that time. As you’ll see in our list of Bob Dylan Albums Ranked Worst to Best, he’s made classic records in almost every single decade since his 1962 self-titled debut.

And more than any other figure in the history of popular music, Dylan has logged more comebacks than we can count on one hand – which date back to the ’60s and go all the way into modern times.

While it’s been an occasional bumpy road for the singer-songwriter, he still managed to influence generations of artists and revolutionize the sound of music – from folk to rock to even gospel – along the way.

For five decades, Dylan has transformed popular music, rode the waves and filtered it all back again. And, along with a select few contemporaries like the Beatles and the Rolling Stones, he’s made some of the most essential listening records in rock history. Like we said, he’s had quite a run, as you’ll see in the below list of Bob Dylan Albums Ranked Worst to Best.

Read More: Bob Dylan Albums Ranked Worst to Best | https://ultimateclassicrock.com/bob-dylan-albums-ranked/?utm_source=tsmclip&utm_medium=referral

Jewel-Box Heroes: Why the CD Revival Is Finally Here

(via Rolling Stone) by Rob Sheffield

In 2021, CD sales increased for the first time in 17 years. That’s mostly because of Adele, whose 2021 album sold 898,000 of those shiny little discs. The last time CDs were this hot, Usher, Ashlee Simpson, and Hoobastank were the ones selling them. Now it’s Adele, BTS, and Taylor Swift. It’s part of an overall revival for physical media — vinyl is booming even bigger. But for those of us who love the humble compact disc, it’s a question worth pondering: Are we finally seeing the CD revival? Why are music fans falling back in love with the gadget that once promised “perfect sound forever”?

Compact discs were never about romance — they were about function. They just worked. They were less glamorous than vinyl, less cool, less tactile, less sexy, less magical. They didn’t have the aura that we fans crave. You didn’t necessarily get sentimental over your CDs, the way you fetishized your scratchy old vinyl, hearing your life story etched into the nicks and crackles. Your copy of Spice World or Life After Death sounded the same as everyone else’s…

Read more: https://getpocket.com/explore/item/jewel-box-heroes-why-the-cd-revival-is-finally-here?utm_source=pocket-newtab-en-us

Beatles Music History, Song by Song

Beware, Beatle fans. This site is a trove of fascinating Fab Four facts and esoterica. Click on a song title and disappear down a rabbit hole. Addictive stuff!

http://www.beatlesebooks.com/uk-albums

Previous Older Entries Next Newer Entries