The Song Steely Dan Wrote to Mock John Lennon

(via Far Out) by Sam Kemp

Like many of the biggest groups of the early 1970s, Steely Dan grew up under the shadow of The Beatles. When Donald Fagen and Walter Becker came together in 1971, the pioneering group had already been broken up for more than a year. They may have wondered if they had somehow absorbed the ghost of ‘The Fab Four’ and that it was their responsibility to carry the flame in their absence. Indeed, Fagen and Becker intentionally modelled themselves off The Beatles, choosing to emphasise writing and recording than relentless touring. However, Steely Dan could also be highly critical of The Beatles’ former members at times, as the song ‘Only A Fool Would Say’ makes devastatingly clear…

Read more: https://faroutmagazine.co.uk/song-steely-dan-wrote-mock-john-lennon/

Quora: What Was the Beatles’ Most Badass Moment?

(via Quora) Answered by Marty Shupert

What was the Beatles’ most badass moment?

There are quite a few. I’ll add a few. Someone told them “Hey Jude” wasn’t going to work because no one would play a song that was longer than 7 minutes. John said, “They will if it’s us.”

Thinking about this, that presser when they came to the U.S. for the very first time… you would think they might be rather timid, shy, worried, not wanting to come off as anything other than 4 wonderful lads. A reporter said something to the effect of, “There’s considerable doubt that you boys can even sing.” Without hesitating a nanosecond, Lennon deadpanned, “We need money first.”

During another presser, a reporter suggested that “Eleanor Rigby” was about a lesbian and “Lady Madonna” was about a prostitute, implying that this was not the type of thing that a pop band should be writing about (impressionable children and all that). Asking, “Why do you want to write about these things?” Paul, this time, deadpanned, “Because we enjoy writing about lesbians and prostitutes.”

Read more: https://www.quora.com/What-was-the-Beatles-most-badass-moment

Telephone Music Service: Music Streaming’s Pittsburgh Predecessor

Dotti White oversaw Telephone Music Service, which streamed music into Pittsburgh bars long before the days of the Internet.

(via Pittsburgh Magazine) by Zack Furness

Years before anyone dreamed up the Internet, owned smartphones or casually used phrases such as “music platform,” Pittsburgh’s Telephone Music Service pioneered one of the first successful streaming music services in the country.

The service, which dates back decades, operated a network of jukeboxes scattered throughout bars in the city, all of which were connected to a central studio by telephone lines.

You’d stick your money into the machine, pick up a phone attached to the side, and request your songs from one of the operators on the other end. Then, presto! Your selections would come blaring out through the jukebox.

While this may seem like ancient analog history, it was a functional predecessor of every Internet-based service that millions now use to stream audio content on demand. Dotti White may not be familiar with some of these digital brand names or their ubiquitous applications, but, as owner of Telephone Music Service, she was the last person to operate the business they now echo…

Read more: https://www.pittsburghmagazine.com/did-you-know-music-streaming-has-roots-in-pittsburgh/

Jewel-Box Heroes: Why the CD Revival Is Finally Here

Compact discs never had the romance of vinyl or the convenience of MP3s. But they’re still the ideal format for getting lost inside your music collection

Elenathewise/stock.adobe.com

In 2021, CD sales increased for the first time in 17 years. For some die-hards, the format has never gone out of style.

(via Rolling Stone) by Rob Sheffield

In 2021, CD sales increased for the first time in 17 years. That’s mostly because of Adele, whose new album sold 898,000 of those shiny little discs. The last time CDs were this hot, Usher, Ashlee Simpson, and Hoobastank were the ones selling them. Now it’s Adele, BTS, and Taylor Swift. It’s part of an overall revival for physical media — vinyl is booming even bigger. But for those of us who love the humble compact disc, it’s a question worth pondering: Are we finally seeing the CD revival? Why are music fans falling back in love with the gadget that once promised “perfect sound forever”?

Read more: https://www.rollingstone.com/music/music-features/cd-revival-compact-discs-rob-sheffield-1284487/?fbclid=IwAR0JGKrIsIrVk5BUCIHIuKg-QNDntz7_2t5IMrm1is71RLJ52a_VL8Wbi9w

How Neil Young Got Ready for the Country on ‘Harvest’

(via Ultimate Classic Rock) by Dave Lifton

Note: Neil Young’s Harvest album was released 50 years ago today.

Between his work in Buffalo SpringfieldCrosby, Stills Nash & Young and his first few solo records, Neil Young had often flirted with mixing country and rock. But with Harvest, released on Feb. 1, 1972, he more or less dove headfirst into it and came out with one of country-rock’s most commercially and critically successful albums.

Work began a year earlier when Young went to Nashville to appear on The Johnny Cash Show, on an episode that also included James Taylor and Linda Ronstadt. Elliot Mazer, who had produced Ronstadt’s Silk Purse album a year earlier, arranged a party at his Quadrofonic Sound Studio for the three artists, and struck up a conversation with Young…

Read more: https://ultimateclassicrock.com/neil-young-harvest/?fbclid=IwAR363fdu_oGaK0TDIKVvN8LXFkQLKstbl7BE7984Nhf31DqC8BC8lEy_3n8

Omicron’s Blow to Live Music

Miikka Skaffari / FilmMagic / Getty

(via The Atlantic) by Ryan Miller

Postponing our tour was a hard decision, but it was the right one.

My iPhone note “Guster tour, Pros & Cons” was becoming more and more lopsided.

Our impending club tour, booked nine months ago after a COVID-halted March 2020 run, was in peril. We assumed then—it seems like a lifetime ago—that winter of 2022 would allow us plenty of time to present a tour that was safe for both us and our fans. Other bands made similar plans as our industry attempted, once again, to regain a foothold after the crushing Delta wave. Tickets for our shows went surprisingly fast, and a few rooms sold out almost immediately. Despite a pandemic that continued to dominate the news cycle, our workplaces, and our home lives, our fans seemed eager to jump into the mass of humanity that is a rock concert…

Read more: https://www.theatlantic.com/culture/archive/2022/01/guster-omicron-covid-live-music/621392/

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