Songs You May Have Missed #330

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David Wilcox: “Start With the Ending” (Live) (2002)

The wit and wisdom of David Wilcox are on full display as he explains why the secret to a successful relationship just might be…ending it.

See also: https://edcyphers.com/2013/11/10/songs-you-may-have-missed-501/

See also: https://edcyphers.com/2015/03/27/songs-you-may-have-missed-527/

Songs You May Have Missed #329

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Blackfield: “Blackfield” (2005)

Moody, brooding, haunting, lush, rich, gorgeous…it’s easy to apply adjectives to the music of Steven Wilson and Aviv Geffen. What’s difficult is pinning down the precise nature of the magic in the music they make together–what makes it so singular.

This is the song “Blackfield” from the album of the same name, by the duo of the same name. If you’re looking for a comparison, all I can come up with is Dark Side of the Moon. Though it’s an imperfect match, if you like that album there’s a good chance you’ll hear the beauty in what these guys do as well. This would sit atop my list of contemporary rock to recommend to fans of classic rock.

See also: https://edcyphers.com/2012/11/14/songs-you-may-have-missed-236/

See also: https://edcyphers.com/2013/10/04/songs-you-may-have-missed-483/

See also: https://edcyphers.com/2012/10/01/recommended-albums-24/

Songs You May Have Missed #328

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Drink Me: “Waterbed” (1995)

Drink Me, a Brooklyn duo who produced two albums in the first half of the 90’s, were quite simply genius. With a degree of musical economy to match the great Roger Miller or the early Beach Boys, their concise songs could nevertheless pack a lyrical wallop.

One of the problems I’ve always had with the nebulous label of “Alternative Music”, which has been applied to everyone from R.E.M. to Jason Mraz, is that it mostly describes mainstream music. If your albums sell gold and platinum and chart in the top 5, what are you the alternative to?

Just as the word “awesome”, applied to double cheeseburger, leaves one little verbal ammunition for describing the birth of a child, the term “Alternative” leaves us lacking a useful label for music that is truly unlike any you’ve heard before. I would call Brave Combo and King Missile and the early work of They Might Be Giants “Alternative”. And I’d put Drink Me in that category–if the category didn’t include Oasis.

Imagine if Simon & Garfunkel had a sense of humor. And maybe a drinking problem–or possibly bipolar disorder. And a tendency to experiment with hallucinogenics. On second thought: don’t imagine, just listen. Really, there’s nothing like these guys.

The world’s a waterbed

A swaying plastic field of yielding limbs and idleness

A troubled bubble pipe of love but I can’t deny

The pie-eyed piper’s cry

The marriage bed’s a boat

Of sound design and lines beyond reproach

And lashed to the Missus’ mast one could defy

The siren’s sultry sighs

And if youth is a bathtub

Filled with bubbles and toys

Then the water gets cold as you start getting old

And my skin’s getting wrinkled but I’m still lingering

In Time’s untiring car

We sat in back with a flask and clasped beneath the stars

And watched out loose and useless youth go rolling by

But I’m going to learn to drive

In a little while

In a little while

In a little while

See also: https://edcyphers.com/2013/08/14/songs-you-may-have-missed-462-2/

See also: https://edcyphers.com/2012/02/27/drink-me-the-quietest-rock-n-roll-ever-made/

Songs You May Have Missed #327

roger klug

Roger Klug: “Dawdling Daughter” (2000)

Playful power popper Roger Klug has one of those daughters that’ll just drive a father nuts–because she takes after him.

See also: https://edcyphers.com/2024/08/19/songs-you-may-have-missed-751/

Songs You May Have Missed #326

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The Tallest Man on Earth: “1904” (2012)

The Tallest Man on Earth is Sweden’s Kristian Matsson.

“1904” is, according to Rock Cellar Magazine, about “a year that ‘shook the world’, with an earthquake in Sweden and Norway, the beginning of the construction of the Panama Canal, and the start of the Russo-Japanese War.”

Songs You May Have Missed #325

al stewart 3Al Stewart: “Merlin’s Time” (1980)

Glasgow, Scotland’s Alastair Ian Stewart (if all that’s not redundant) has been around as long as the Rolling Stones, whom he actually opened for in 1963, and has quietly built a career as one of the more singular singer-songwriters out there. Truly one artist whose influences are almost impossible to pin down, Stewart’s style forsook convention in many ways: songs with lengthy running times, using the f-word in a ballad, historical and seafaring themes, and a lyrical style rich with detailed imagery. His songs were almost word-paintings, often not built around a hook, but written as narratives that required a little patience of a listener.

“Merlin’s Time” which dates from the tail-end of Stewart’s run of U.S. chart success, finds him in atmospheric reverie of ancient England’s “kingdom lost to time”.

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