Bob Dylan’s Label Releases Ultra-Rare Box Set to Exploit Copyright Loophole

dylan(Reprinted from The Guardian)

Only 100 copies of the singer’s new demos compilation were released to prevent the songs entering the public domain

by Sean Michaels

Bob Dylan’s label has made only100 copies of his latest box set. The singer’s new demos compilation, The 50th Anniversary Collection, is apparently designed to exploit a European copyright loophole.

The compilation’s official subtitle says it all: The Copyright Extension Collection, Vol 1. Delivered to a handful of “random” record shops in the UK, Germany, France and Sweden, according to Rolling Stone, the four-CD set comprises 86 songs recorded in 1962 and 1963, around the time of Dylan’s debut album. The packaging is plain, the liner notes almost non-existent. But fans are treating them as the rarities they are; bidding on eBay has topped £650.

According to sources at Sony Music, this compilation isn’t really meant for mass consumption. It’s essentially an attempt to keep these tracks from entering the public domain. Although the European Union has extended copyright terms from 50 years to 70 years, the extension only applies to recordings that have been released during the 50 years after they were made. Sony was therefore forced to release these songs – albeit in limited form – before the end of 2012, when their half-century was up.

“This isn’t a scheme to make money,” a source explained to Rolling Stone. “The whole point of copyrighting [this material] is that we intend to do something with it at some point in the future. But it wasn’t the right time to do it right after [Dylan] released Tempest.”

Perhaps Sony will eventually reissue Dylan’s 1962 debut with a series of outtakes, or collect decades of demos in another box set. Perhaps they just want to thwart the opportunist labels who can now legally sell any unreleased material from before 1963. The only thing that’s certain is that some British, German, French and Swedish Dylan fans got very, very lucky.

Songs You May Have Missed #284

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Barclay James Harvest: “The Iron Maiden” (1970)

From an album that didn’t chart, backed by a tour that was a failure, by a band who never had a big hit. At least tough luck Barclay James Harvest have maintained their sense of humor regarding their 40+ years in the prog rock shadows.

Earning the title of “Poor Man’s Moody Blues”, they actually named a 1977 song “Poor Man’s Moody Blues” and it’s a parody/homage to that band’s classic “Nights in White Satin”.

Songs You May Have Missed #283

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Paul Rocha: “Baby Adolph” (2012)

It’s so wrong and so rude. But it’s true if you think about it.

Songs You May Have Missed #282

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The Roches: “Losing True” (1982)

For the uninitiated, The Roches are not a cheekily-named rock band but rather a trio of folk-singing sisters with the last name Roche who arose from the Greenwich Village scene in the late ’70’s.

Their third album, Keep On Doing, was produced (as was their second) by Robert Fripp, and features cameos from Fripp and fellow King Crimson band mates Tony Levin and Bill Bruford. “Losing True” highlights both the exquisite harmonies of the siblings and Fripp’s Guitar solo.

See also: https://edcyphers.com/2016/11/23/songs-you-may-have-missed-598/

New Documentary ‘Produced by George Martin’ Profiles Legendary Pop Producer

Worth adding to the Netflix queue if you’re a fan of 60’s pop I should think…

Songs You May Have Missed #281

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John Dawson Read: “A Friend of Mind is Going Blind” (1975)

This song and I have a history. I wasn’t originally going to post it here because generally if a song is a hit single it doesn’t qualify as a “song you may have missed”. And I always thought this song was a hit–mainly because I heard it on the radio in ’75 and walked up to my local record store (probably Rags ‘n Records) and bought it. I still remember the green Chrysalis label and everything. I assumed everything I heard on the radio and purchased was a top 40 hit.

But no one else seems to remember this one which, it turns out, only peaked at #72.

The CD is either long out of print or was never in print. I had to write to Mr. Read himself through his website. He graciously sent along a personalized note with a CD-R copy of his 1975 album, mentioning my city (Pittsburgh) with affection.

An English gentleman is Mr. John Dawson Read. And still presumably singing to small audiences somewhere in England. This quiet little song was his four minutes of near-fame in America. I think it’s worthy of four minutes of your attention.

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