Video of the Week: The Who – Who Are You (Promo Video)

5 Reasons Why “My Generation” Is So Awesome

(via CultureSonar) by ADAM LEADBEATER

“My Generation” by The Who is a quintessential part of British culture and an important component in the evolution of contemporary rock music.

Although recorded nearly sixty years ago, in the midst of ‘love obsessed’ pop tunes, The Who’s debut single sounds as exciting, unique, and fabulously frenzied as the day it first struck the ears of mid-60s teens.

Penned by guitarist Pete Townshend, this classic rock hit immediately became a manifesto for youths tip-toeing through a post-war social minefield whilst desperately scrambling to forge an identity they could be proud of.

“My Generation” is still considered an underclass masterpiece in many quarters. The song defines a moment, both in terms of musical craft and its embodiment of an entire subculture’s spirit. Here are five reasons why it rules…

Read more: https://www.culturesonar.com/5-reasons-why-my-generation-is-so-awesome/?mc_cid=b38df62a86&mc_eid=b43e532c6f

From Failures Come Pop Successes

(via Culture Sonar) by Mark Daponte

One of the more bizarre sayings (and something parents of an infant shouldn’t have to say to the nanny) is “Don’t throw the baby out with the bathwater.”  This advice, meaning don’t throw away something good in the course of throwing out something bad, was heeded by a number of rock stars who found gems amongst musical projects they had thrown out.

The most noteworthy salvage job was Pete Townshend’s unfinished sci-fi rock opera film called Lifehouse which started as a story written around several songs.  Pete recalled: “The essence of the storyline was a kind of futuristic scene.  It’s a fantasy set at a time when rock ’n’ roll didn’t exist.  The world was completely collapsing and the only experience that anybody ever had was through test tubes. In a way, they lived as if they were on television. Everything was programmed.  The enemies were people who gave us entertainment intravenously and the heroes were savages who’d kept rock ‘n’ roll as a primitive force and had gone to live with it in the woods.  The story was about these two sides coming together and having a brief battle.”

Read more: From Failures Come Pop Successes – CultureSonar

On This Day in 1970…

moon

(via The College of Rock and Roll Knowledge)

The Who’s drummer, Keith Moon decided to go to the Red Lion Pub in Hatfield, Hertfordshire, UK on Jan. 4, 1970. Keith went with his wife and some other friends. Keith’s friend and driver Neil Boland, drove them in Keith’s Bentley.

The people in the pub were more working class than Rock Star class (some say it was a skin head crowd). They started giving Keith and his friends trouble so they decided to leave. The crowd moved outside and started throwing rocks at the car and started rocking it. Boland got out of the car to try to cool off the crowd. However, Keith got scared and decided to make a get away by driving the car himself. What he didn’t know was that the crowd had pushed Neil under the car. The car ran over Neil and dragged him for a ways, killing him.

Moon was arrested and charged with a number of crimes. 6 weeks after the incident, Neil’s death was ruled accidental.

Neil’s death continued to bother Keith until his own death.

Video of the Week: The Who on The Smothers Brothers Comedy Hour

http://www.youtube.com/watch?v=FYkGimCrcRg

Recorded 48 years ago tonight on September 15, 1967 (for airing two days later) here is the performance that introduced much of America to the band who had the reputation for smashing their instruments on stage.

Their performance of “I Can See For Miles” and “My Generation” is capped by a pyrotechnic finale that included an explosion so great it caused Pete Townshend permanent hearing loss.

Video of the Week: Folsom Pinball Blues

Bill Kirchen, formerly of Commander Cody and the Lost Planet Airmen, cleverly mashing up Johnny Cash’s “Folsom Prison Blues” with The Who’s “Pinball Wizard”.

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